"Parsifal, WWV 111 / Act I: Titurel, der fromme Held" by Richard Wagner, Marjon Lambriks, Anne Gjevang, Heiner Hopfner, Kurt Moll, Georg Tichy, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1981. Parsifal, WWV 111 / Act I: Titurel, der fromme Held appears to be safe for all ages as it is not explicit. This song is part of Wagner: Parsifal by Richard Wagner, Berliner Philharmoniker, Herbert von Karajan. The song's track number on the album is #6 out of 38 tracks. Based on our data, Germany was the country where this track was produced or recorded. Parsifal, WWV 111 / Act I: Titurel, der fromme Held is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Parsifal, WWV 111 / Act I: Titurel, der fromme Held by Richard Wagner, Marjon Lambriks, Anne Gjevang, Heiner Hopfner, Kurt Moll, Georg Tichy, Berliner Philharmoniker, Herbert von Karajan has a tempo of 71 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Parsifal, WWV 111 / Act I: Titurel, der fromme Held being at 71 テンポ, the half-time would be 36 テンポ with a double-time of 142 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8, Zweiter Teil: IX. Gerettet ist das edle Glied der Geisterwelt vom Bösen | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Knaben des Staats- und Domchors Berlin | E♭ Major | 2 | 5B | 133 BPM | ||
Le Sacre du Printemps / Pt 2: Le Sacrifice: 1. Introduction | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 86 BPM | ||
Symphony No.9 In E Minor, Op.95, B. 178 "From The New World": 3. Molto vivace | Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 120 BPM | ||
Strauss, R: Der Rosenkavalier, Op. 59, Act 1: "Lachst du mich aus? ... Lach' ich dich aus?" (Octavian, Marschallin) | Richard Strauss, Herbert von Karajan, Elisabeth Schwarzkopf, Christa Ludwig, Philharmonia Orchestra | A Major | 0 | 11B | 123 BPM | ||
Das Rheingold, WWV 86A / Erste Szene: "Haltet den Räuber!" | Richard Wagner, Edda Moser, Helen Donath, Anna Reynolds, Berliner Philharmoniker, Herbert von Karajan | G Minor | 0 | 6A | 98 BPM | ||
Pictures at an Exhibition: The Catacombs (Sepulchrum romanum) | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 85 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Des Helden Widersacher | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Minor | 2 | 6A | 143 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: O namenlose Freude! | Ludwig van Beethoven, Nina Stemme, Jonas Kaufmann, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
Parsifal / Act 1: "Nun achte wohl und laß mich seh'n" - "Zum letzten Liebesmahle" | Richard Wagner, Claes-Håkon Ahnsjö, Kurt Moll, Kurt Rydl, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | C Major | 1 | 8B | 66 BPM | ||
Das Rheingold, WWV 86A / Vierte Szene: "Wohlan, die Niblungen rief ich mir nah" | Richard Wagner, Zoltan Kelemen, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Herbert von Karajan | F♯ Major | 1 | 2B | 74 BPM |