Serenade for Tenor, Horn and Strings, Op. 31: V. Dirge

Benjamin Britten, Scottish Ensemble, Clio Gould, Toby Spence, Martin Owen
Britten: Les illuminations
3:24 2005年5月1日
テンポ
126
キー
C Major
キャメロットミュージックキー
8B

リンクを埋め込む

共有

Serenade for Tenor, Horn and Strings, Op. 31: V. Dirge - Benjamin Britten, Scottish Ensemble, Clio Gould, Toby Spence, Martin Owen 情報

音響性
98%
ダンサビリティ
16%
エネルギー
0%
手段性
0%
活気
9%
ラウドネス
30%
話し言葉
6%
価数
31%
人気
ラウドネス
-41.703 dB

まとめ

Benjamin Britten, Scottish Ensemble, Clio Gould, Toby Spence, Martin Owen's 'Serenade for Tenor, Horn and Strings, Op. 31: V. Dirge' came out on May 1, 2005. The duration of Serenade for Tenor, Horn and Strings, Op. 31: V. Dirge is about 3 minutes long, at 3:24. Based on our data, "Serenade for Tenor, Horn and Strings, Op. 31: V. Dirge" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 26 out of 29 in Britten: Les illuminations by Benjamin Britten, Clio Gould, Martin Owen, Scottish Ensemble, Toby Spence. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Serenade for Tenor, Horn and Strings, Op. 31: V. Dirge's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Serenade for Tenor, Horn and Strings, Op. 31: V. Dirge テンポ

The tempo marking of Serenade for Tenor, Horn and Strings, Op. 31: V. Dirge by Benjamin Britten, Scottish Ensemble, Clio Gould, Toby Spence, Martin Owen is Allegro (fast, quick, and bright), since this song has a tempo of 126 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.

Serenade for Tenor, Horn and Strings, Op. 31: V. Dirge キー

C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Requiem, Op. 48: VII. Libera me by Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France, Stéphane DegoutRequiem, Op. 48: VII. Libera meGabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France, Stéphane DegoutD Minor17A74 BPM
Gloria, FP 144: 5. Domine Deus, Agnus Dei by Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John OliverGloria, FP 144: 5. Domine Deus, Agnus DeiFrancis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John OliverE Major112B95 BPM
Tom Bowling and Other Song Arrangements: Greensleeves by Benjamin Britten, Philip Langridge, Graham JohnsonTom Bowling and Other Song Arrangements: GreensleevesBenjamin Britten, Philip Langridge, Graham JohnsonB♭ Minor73A133 BPM
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) by Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian WeigleDie tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul)Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian WeigleB♭ Major16B83 BPM
5 Stücke im Volkston, Op. 102: 1. Vanitas vanitatum (Mit Humor) by Robert Schumann, Mstislav Rostropovich, Benjamin Britten5 Stücke im Volkston, Op. 102: 1. Vanitas vanitatum (Mit Humor)Robert Schumann, Mstislav Rostropovich, Benjamin BrittenB Minor110A86 BPM
Symphony in F Major, Op. 8, Symphony in F Major, Op. 8, "The Cotswolds": I. Allegro con brioGustav Holst, Ulster Orchestra, Joann FallettaF Major17B104 BPM
String Quartet No.12 in F major, Op.96 - String Quartet No.12 in F major, Op.96 - "American" B.179: 2. LentoAntonín Dvořák, Hagen QuartettD Minor17A88 BPM
Symphony No. 4 in F Minor, Op. 36: IV. Finale. Allegro con fuoco by Pyotr Ilyich Tchaikovsky, Gianandrea Noseda, London Symphony OrchestraSymphony No. 4 in F Minor, Op. 36: IV. Finale. Allegro con fuocoPyotr Ilyich Tchaikovsky, Gianandrea Noseda, London Symphony OrchestraF Major37B76 BPM
Symphony No.3 In C Minor, Op.78 Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagioCamille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James LevineA♭ Major14B118 BPM
Bluebeard's Castle: VI. Fifth Door - Bluebeard's Vast and Beautiful Kingdom by Béla Bartók, Valery Gergiev, Elenz Zhidkova, London Symphony Orchestra, Willard WhiteBluebeard's Castle: VI. Fifth Door - Bluebeard's Vast and Beautiful KingdomBéla Bartók, Valery Gergiev, Elenz Zhidkova, London Symphony Orchestra, Willard WhiteC Major28B138 BPM
ISRC
GBASH0522626
レコードレーベル
L-M Records/RCA Records