Henry Purcell, English Chamber Orchestra, Raymond Leppard's 'Dido and Aeneas / Act 2: Prelude for the witches' came out on January 1, 1986. With Dido and Aeneas / Act 2: Prelude for the witches being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #6. In terms of popularity, Dido and Aeneas / Act 2: Prelude for the witches is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dido and Aeneas / Act 2: Prelude for the witches by Henry Purcell, English Chamber Orchestra, Raymond Leppard having a テンポ of 101 with a half-time of 50 テンポ and a double-time of 202 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Concerto in G Major, QV 5:165: III. Presto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | F Major | 1 | 7B | 107 BPM | ||
Pergolesi: Stabat Mater: VII. Eia Mater | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | E Minor | 1 | 9A | 131 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 7: I. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Major | 3 | 8B | 133 BPM | ||
Piano Concerto in C Major, Op. 3 No. 3: III. Rondeau | Johann Samuel Schroeter, Murray Perahia, English Chamber Orchestra | C Major | 1 | 8B | 138 BPM | ||
Oboe Concerto in E-Flat Major, Wq. 165, H. 468: II. Adagio ma non troppo | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | C Minor | 1 | 5A | 92 BPM | ||
Piano Concerto No. 1 in F Major, K. 37: II. Andante | Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra | C Major | 0 | 8B | 81 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Two Airs for a Violin or German Flute, Violin, Cello & Harpsichord: Auld Bob Morrice. Affetuoso - Allegro | Francesco Geminiani, Rachel Podger, Brecon Baroque | F♯ Major | 1 | 2B | 97 BPM | ||
L'Orfeo, Atto quinto: V. Moresca | Claudio Monteverdi, Jordi Savall, Le Concert Des Nations | G Major | 4 | 9B | 136 BPM | ||
Pergolesi: Stabat mater: VIII. Fac ut ardeat cor meum | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 3 | 11A | 71 BPM |