Vincenzo Bellini, Montserrat Caballé, Bernabe Marti, Piero Cappuccilli, Giuseppe Baratti, Coro Della Radiotelevisione Italiana, Roma, Gianni Lazzari, Gianandrea Gavazzeni, Coro e Orchestra della Radiotelevisione Italiana, Roma, Orchestra della Radiotelevisione Italiana, Roma, Orchestre Della Radiotelevisione Italiana, Roma's 'Il Pirata (1992 Digital Remaster), Act I, Scene 3: Il suo disegno' came out on 1999. With Il Pirata (1992 Digital Remaster), Act I, Scene 3: Il suo disegno being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 24 out of 50 in Bellini: Il Pirata by Vincenzo Bellini, Gianandrea Gavazzeni, Coro e Orchestra della Radiotelevisione Italiana, Roma. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Il Pirata (1992 Digital Remaster), Act I, Scene 3: Il suo disegno is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Il Pirata (1992 Digital Remaster), Act I, Scene 3: Il suo disegno by Vincenzo Bellini, Montserrat Caballé, Bernabe Marti, Piero Cappuccilli, Giuseppe Baratti, Coro Della Radiotelevisione Italiana, Roma, Gianni Lazzari, Gianandrea Gavazzeni, Coro e Orchestra della Radiotelevisione Italiana, Roma, Orchestra della Radiotelevisione Italiana, Roma, Orchestre Della Radiotelevisione Italiana, Roma is Andante (at a walking pace), since this song has a tempo of 105 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra) | George Frideric Handel, Sabine Devieilhe, Raphael Pichon | E♭ Major | 1 | 5B | 181 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler | E Major | 1 | 12B | 94 BPM | ||
Norma (1997 Digital Remaster), ACT 2, Scene 3: Norma! ... deh! Norma, scòlpati! (Coro/Norma/Pollione/Oroveso) | Vincenzo Bellini, Maria Callas, Franco Corelli, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano, Orchestra Del Teatro Alla Scala Di Milan | G Major | 1 | 9B | 76 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
Gounod: Faust, Act 3: "Les grands seigneurs ... Ah ! je ris de me voir si belle" (Marguerite) | Charles Gounod, Elsa Dreisig, Michael Schønwandt, Orchestre national de Montpellier Occitanie | D Major | 1 | 10B | 100 BPM | ||
Il Pirata, Act II: Cedo al destin orribile | Vincenzo Bellini, Felice Romani, Javier Camarena, Marina Rebeka, Franco Vassallo, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM | ||
Le nozze di Figaro, K.492 / Act 3: "Dove sono i bei momenti" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | C Major | 1 | 8B | 90 BPM | ||
Vier letzte Lieder: 4. Im Abendrot | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D Major | 1 | 10B | 117 BPM | ||
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
Puccini: Turandot, Act 1: "Signore, ascolta!" (Turandot) | Giacomo Puccini, Maria Callas, Tullio Serafin, Philharmonia Orchestra | F♯ Major | 1 | 2B | 89 BPM |