Johann Adolf Hasse, Janos Sebestyen made "キーboard Concerto No. 3 in G Major: II. Adagio" available on July 15, 2014. The duration of キーboard Concerto No. 3 in G Major: II. Adagio is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. キーboard Concerto No. 3 in G Major: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Adolf Hasse, Janos Sebestyen's "Hasse: 6 キーboard Concertos" album is number 8 out of 19. On top of that, Hungary appears to be the country where this track was created. キーboard Concerto No. 3 in G Major: II. Adagio is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of キーboard Concerto No. 3 in G Major: II. Adagio by Johann Adolf Hasse, Janos Sebestyen to be Larghetto (rather broadly) because the track has a tempo of 66 テンポ, a half-time of 33テンポ, and a double-time of 132 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Caccini: Le nuove musiche: VIII. Amarilli, mia bella | Giulio Caccini, Nathalie Stutzmann, Marie-Domitille Murez | F♯ Major | 1 | 2B | 170 BPM | ||
Hasse: Demofoonte, Sinfonia: III. Presto | Johann Adolf Hasse, Julien Chauvin, Le Concert de la Loge | D♭ Major | 3 | 3B | 159 BPM | ||
Partie 5 en ut majeur: Aria | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | B Major | 2 | 1B | 100 BPM | ||
The Masque Of Hymen: The Last Act - Solo (Cupid): The Joys Of Wedlock | The Scholars Baroque Ensemble, Henry Purcell | F♯ Minor | 0 | 11A | 169 BPM | ||
Concerto grosso No. 10 in F Major: I. Preludio | Giovanni Benedetto Platti, Akademie für Alte Musik Berlin, Georg Kallweit | G Major | 0 | 9B | 95 BPM | ||
Trumpet Concerto in D Major, G. 28: I. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A♭ Major | 2 | 4B | 95 BPM | ||
Riccardo primo, HWV 23: Act III - "Morte vieni" | Simone Kermes | E Minor | 1 | 9A | 195 BPM | ||
Lass Fürstin, lass noch ein Strahl, BWV 198: Verstummt, ihr holden Saiten (Arie) | Johann Sebastian Bach, Núria Rial, Julia Schröder | D♭ Minor | 0 | 12A | 62 BPM | ||
Mass in D Minor: Kyrie: Kyrie I | Johann Adolf Hasse, Mária Zádori, Lena Susanne Norin, Hans-Jörg Mammel, Klaus Mertens, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | D Major | 2 | 10B | 105 BPM | ||
Sanctus Petrus et Sancta Maria Magdalena: Aria: Crucifixum Si Videres | Johann Adolf Hasse, Kirsten Blaise, Heidrun Kordes, Vivica Genaux, Terry Wey, Jacek Laszczkowski, Ludwigsburger Schlossfestspiele Choir, Ludwigsburger Schlossfestspiele Orchestra, Michael Hofstetter | D♭ Minor | 5 | 12A | 111 BPM |