"Märchentraum der Liebe (aus: Die ungarische Hochzeit / Stefan, 3.Akt)" by Hermann Hermecke, Nico Dostal, Peter Seiffert, Peter Falk, Wiener Opernball-Orchester (Miglieder der Wiener Volksoper), Wiener Opernball-Orchester (Mitglieder der Wiener Volksoper) was released on 1992. The duration of Märchentraum der Liebe (aus: Die ungarische Hochzeit / Stefan, 3.Akt) is about 3 minutes long, at 3:05. Based on our data, "Märchentraum der Liebe (aus: Die ungarische Hochzeit / Stefan, 3.Akt)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Peter Seiffert, Peter Falk, Wiener Opernball-Orchester (Mitglieder der Wiener Volksoper)'s "Ich träume mit offenen Augen - Peter Seiffert Sings Operetta" album is number 15 out of 15. On top of that, Germany appears to be the country where this track was created. Märchentraum der Liebe (aus: Die ungarische Hochzeit / Stefan, 3.Akt) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Märchentraum der Liebe (aus: Die ungarische Hochzeit / Stefan, 3.Akt) by Hermann Hermecke, Nico Dostal, Peter Seiffert, Peter Falk, Wiener Opernball-Orchester (Miglieder der Wiener Volksoper), Wiener Opernball-Orchester (Mitglieder der Wiener Volksoper) to be Adagio (slowly with great expression) because the track has a tempo of 70 テンポ, a half-time of 35テンポ, and a double-time of 140 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Suzanne Danco, Guido Agosti | E♭ Major | 1 | 5B | 132 BPM | ||
5 Sonnets from "The Triumph of Love", Op. 82 (Version for Voice & Orchestra): No. 4, I Think that We Were Children | Charles Villiers Stanford, Sharon Carty, BBC Concert Orchestra, John Andrews | E Minor | 0 | 9A | 170 BPM | ||
La Traviata, Act I: Si ridestra in ciel l'aurora | Giuseppe Verdi, Ilseyar Khayrullova, Menna Cazel, Francesco Pittari, Biagio Pizzuti, Alexander Köpeczy, Daniel Oren, Dresdner Philharmonie, Sächsischer Staatsopernchor Dresden | A♭ Major | 4 | 4B | 176 BPM | ||
Il barbiere di Siviglia / Act 1: "Ma signor..." "Zitto tu!" | Gioachino Rossini, Giorgio Tadeo, Carlo Cava, Gianna D'Angelo, Gabriella Carturan, Nicola Monti, Renato Capecchi, Bavarian Radio Symphony Orchestra, Bruno Bartoletti, Coro dell' Opera Nazionale Italiana | C Major | 6 | 8B | 103 BPM | ||
Golondrina de Madrid: "Sopló Furioso el Viento de Mi Destino" | Luis Fernández de Sevilla, Jose Serrano, Orquesta del Teatro Calderón | B♭ Major | 3 | 6B | 103 BPM | ||
La Bohème: Pavarotti’s first high C ever: Che gelida manina! | Giacomo Puccini, Orchestra e Coro del teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli, Luciano Pavarotti | F Minor | 5 | 4A | 89 BPM | ||
La del manojo de rosas: Act II: Que esta esto muy bajo? Pues yo no me tiro | Pablo Sorozábal, Carlos Álvarez, Ana Ibarra, Galicia Symphony Orchestra, Miquel Ortega | B Major | 1 | 1B | 108 BPM | ||
Les Pêcheurs de perles: Leïla!...Dieu puissant, le voila! (Nadir, Leïla) | Georges Bizet, Nicolai Gedda, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | F Major | 1 | 7B | 137 BPM | ||
Messa di Gloria: Sanctus | Giacomo Puccini, Willi Stein, Thomas Pfeiffer, Maulbronn Chamber Choir, South West German Radio Symphony Orchestra, members, Jurgen Budday | D Major | 2 | 10B | 86 BPM | ||
Samson et Dalila, Op. 47: Act III: Salut! Salut au juge d'Israel... | Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier | E♭ Major | 2 | 5B | 113 BPM |