"La del manojo de rosas: Act II: Que esta esto muy bajo? Pues yo no me tiro" by Pablo Sorozábal, Carlos Álvarez, Ana Ibarra, Galicia Symphony Orchestra, Miquel Ortega was released on May 1, 2013. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Zarzuela Gala by Carlos Álvarez, Miquel Ortega. The song's track number on the album is #4 out of 15 tracks. In terms of popularity, La del manojo de rosas: Act II: Que esta esto muy bajo? Pues yo no me tiro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La del manojo de rosas: Act II: Que esta esto muy bajo? Pues yo no me tiro by Pablo Sorozábal, Carlos Álvarez, Ana Ibarra, Galicia Symphony Orchestra, Miquel Ortega has a tempo of 108 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With La del manojo de rosas: Act II: Que esta esto muy bajo? Pues yo no me tiro being at 108 テンポ, the half-time would be 54 テンポ with a double-time of 216 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 5/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: "Voi lo sapete, o mamma" | Pietro Mascagni, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | E Minor | 2 | 9A | 168 BPM | ||
Preludio. Orquesta - El Caserio | Carlos Munguia, Julio Uribe | A Major | 4 | 11B | 116 BPM | ||
Carmen, WD 31 / Act I: Séguedille et Duo: "Près des remparts de Séville" | Georges Bizet, Elina Garanca, Roberto Alagna, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | F♯ Major | 1 | 2B | 127 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
Mazurca de las Sombrillas | Orquesta Sinfónica Española | B♭ Major | 3 | 6B | 83 BPM | ||
Donizetti: L'elisir d'amore, Act 1 Scene 1: No. 1b, Cavatina, "Quanto è bella, quanto è cara!" (Nemorino) | Gaetano Donizetti, Rolando Villazón, Marcello Viotti, Munich Radio Orchestra, Muenchner Rundfunkorchester | C Major | 1 | 8B | 171 BPM | ||
Turandot, Act 2: "in Questa Reggia" | Birgit Nilsson | D Major | 3 | 10B | 85 BPM | ||
La del soto del parral: Ronda de enamorados | Reveriano Soutullo, Juan Vert, Madrid Community Chorus, Madrid Community Orchestra, Miguel Roa | D Major | 0 | 10B | 73 BPM | ||
Loreley / Act 2: "Amor, celeste ebbrezza" | Alfredo Catalani, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler | G Major | 1 | 9B | 81 BPM | ||
El Barberillo de Lavapies: Entrada de Paloma | Francisco Asenjo Barbieri, Maria Bayo, Antonio Ros Marbà, Orquesta Sinfónica de Madrid, Lola Casariego | A Major | 2 | 11B | 131 BPM |