Jean-Baptiste Fauré, Dathané, Sardet made "Jean-Baptiste Faure : Le crucifix" available on December 29, 2010. The duration of Jean-Baptiste Faure : Le crucifix is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Jean-Baptiste Faure : Le crucifix's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Les cylindres Edison (Les cylindres français '2 minutes', vol. 1)" album is number 18 out of 72. On top of that, France appears to be the country where this track was created. Jean-Baptiste Faure : Le crucifix is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Jean-Baptiste Faure : Le crucifix by Jean-Baptiste Fauré, Dathané, Sardet to be Andante (at a walking pace) because the track has a tempo of 77 テンポ, a half-time of 38テンポ, and a double-time of 154 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Iolanthe: Go Away Madam | Elizabeth Woollett, Jill Pert, Richard Suart, New D'Oyly Carte Opera | E♭ Major | 2 | 5B | 52 BPM | ||
Orphée aux enfers, ACT 1, Premier tableau: la campagne aux environs d'Athènes: Viens! Viens! c'est l'honneur (L'Opinion Publique/Orphee) | Jacques Offenbach, Yann Beuron/Eva Podles/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski/Sharman Plesner, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | A♭ Major | 3 | 4B | 126 BPM | ||
Messa da Requiem: II Mors stupebit | Elena Filipova, Cesar Hernandez, Hungarian State Opera Chorus, Carlo Colombara, Gloria Scalchi, Hungarian State Opera Orchestra | A Major | 1 | 11B | 127 BPM | ||
Chanson triste (version for voice and piano) | Henri Duparc, Paul Groves, Roger Vignoles | E♭ Major | 1 | 5B | 87 BPM | ||
The Queen of Spades (Pique Dame), Op. 68, the Queen of Spades, Op. 68, Act II: Ya vas liubliu [I Love You] | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 103 BPM | ||
Don Pasquale - original version / Act 3: "Quel guardo il cavaliere" | Gaetano Donizetti, Kathleen Battle, Metropolitan Opera Orchestra, James Levine, Max Epstein | A♭ Major | 3 | 4B | 149 BPM | ||
Petite messe solennelle: Domine Deus | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Michael Spyres | D Major | 2 | 10B | 138 BPM | ||
Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Par Saturne!, quel est ce bruit (Jupiter/Choeur/Diane) | Jacques Offenbach, Laurent Naouri/Jennifer Smith/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | A Major | 4 | 11B | 113 BPM | ||
Humperdinck : Hänsel und Gretel : Act 3 "Wo bin ich? Wach' ich?" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 91 BPM | ||
Delibes: Lakmé, Act 1: "Viens là ! là !" (Hadji, Nilakantha, Lakmé, Choeur) | Léo Delibes, Michel Plasson, Charles Burles, Choeur Du Capitole De Toulouse, José van Dam, Natalie Dessay, Orchestre Du Capitole De Toulouse, Orchestre National Du Capitole De Toulouse | D♭ Major | 2 | 3B | 65 BPM |