Leonard Bernstein, West Side Story Ensemble, Max Goberman, West Side Story Original Broadway Cast made "West Side Story (Original Broadway Cast): Act II: Gee, Officer Krupke" available on 1957. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of West Side Story (Original Broadway Cast Recording) by Leonard Bernstein, Original Broadway Cast of West Side Story. The song's track number on the album is #14 out of 25 tracks. Based on our statistics, West Side Story (Original Broadway Cast): Act II: Gee, Officer Krupke's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since West Side Story (Original Broadway Cast): Act II: Gee, Officer Krupke by Leonard Bernstein, West Side Story Ensemble, Max Goberman, West Side Story Original Broadway Cast has a tempo of 141 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With West Side Story (Original Broadway Cast): Act II: Gee, Officer Krupke being at 141 テンポ, the half-time would be 70 テンポ with a double-time of 282 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
He Vas My Boyfriend | Andrea Martin | D Major | 3 | 10B | 117 BPM | ||
Maria | Ansel Elgort | A♭ Major | 1 | 4B | 115 BPM | ||
Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppo | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | B♭ Major | 3 | 6B | 107 BPM | ||
At The End Of The Day | "Les Misérables Original London Cast" Ensemble | F Minor | 4 | 4A | 63 BPM | ||
Sweet Charity: If My Friends Could See Me Now | Cy Coleman, Gwen Verdon, Sweet Charity Original Broadway Cast, Fred Werner | F♯ Minor | 2 | 11A | 117 BPM | ||
It's All the Same | Mary Elizabeth Mastrantonio, Man of La Mancha Ensemble (2002) | A♭ Minor | 3 | 1A | 112 BPM | ||
The Oldest Established | Nathan Lane, Walter Bobbie, J.K. Simmons, Guys and Dolls Ensemble (1992) | G Major | 3 | 9B | 141 BPM | ||
It's A Fine Life | Sally Dexter, Rosalind James, The "Oliver! 1994" Kids Ensemble | A♭ Major | 2 | 4B | 172 BPM | ||
Radetsky March, Op. 228 | Johann Strauss I, Leonard Bernstein, New York Philharmonic | A Major | 5 | 11B | 106 BPM | ||
Annie: Tomorrow | Charles Strouse, Andrea McArdle, Peter Howard | F♯ Major | 2 | 2B | 92 BPM |