Cy Coleman, Gwen Verdon, Sweet Charity Original Broadway Cast, Fred Werner made "Sweet Charity: If My Friends Could See Me Now" available on 1966. The duration of Sweet Charity: If My Friends Could See Me Now is about 3 minutes long, at 3:29. Based on our data, "Sweet Charity: If My Friends Could See Me Now" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 28 in the song's album "Sweet Charity (Original Broadway Cast Recording)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. In terms of popularity, Sweet Charity: If My Friends Could See Me Now is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Sweet Charity: If My Friends Could See Me Now by Cy Coleman, Gwen Verdon, Sweet Charity Original Broadway Cast, Fred Werner having a テンポ of 117 with a half-time of 58 テンポ and a double-time of 234 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Annie: Maybe | Charles Strouse, Andrea McArdle, Annie Ensemble, Peter Howard | B♭ Major | 1 | 6B | 91 BPM | ||
Being In Love | Shirley Jones | B Major | 3 | 1B | 98 BPM | ||
The Life: Hey, Daddy - Go Home | Cy Coleman, Kevin Ramsey, Pamela Isaacs, Bellamy Young, Gordon Lowry Harrell | G Major | 2 | 9B | 76 BPM | ||
Funny Honey | Gwen Verdon | D Major | 7 | 10B | 133 BPM | ||
Take It On The Chin - Original Cast Recording/1986 | Maryann Plunkett | D Major | 1 | 10B | 80 BPM | ||
Long as I'm Here with You | Sheryl Lee Ralph, Thoroughly Modern Millie Ensemble | D Major | 5 | 10B | 111 BPM | ||
Roxie | Gwen Verdon, Chicago Ensemble | D♭ Major | 3 | 3B | 131 BPM | ||
The Telephone Hour | Bobby Rydell, Bye Bye Birdie Ensemble | G Major | 6 | 9B | 127 BPM | ||
There's No Business Like Show Business | Elaine Stritch | D♭ Major | 5 | 3B | 122 BPM | ||
There Won't Be Trumpets | Lee Remick | F Major | 4 | 7B | 76 BPM |