"Gurrelieder / Pt. 3: 15. Waldemar's Men: Gegrüsst, O König" by Arnold Schoenberg, Chor der St. Hedwigs-Kathedrale Berlin, Stadtischer Musikverein, Dusseldorf, Deutsches Symphonie-Orchester Berlin, Riccardo Chailly was released on November 5, 1990. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 23 in the song's album "Schoenberg: Gurrelieder". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. Gurrelieder / Pt. 3: 15. Waldemar's Men: Gegrüsst, O König is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gurrelieder / Pt. 3: 15. Waldemar's Men: Gegrüsst, O König by Arnold Schoenberg, Chor der St. Hedwigs-Kathedrale Berlin, Stadtischer Musikverein, Dusseldorf, Deutsches Symphonie-Orchester Berlin, Riccardo Chailly having a テンポ of 81 with a half-time of 40 テンポ and a double-time of 162 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La boîte à joujoux, L. 128: III. La bergerie à vendre | Claude Debussy, London Symphony Orchestra, Michael Tilson Thomas | F Minor | 0 | 4A | 72 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Suite für Klavier, Op. 25: V. Gigue: Rasch | Arnold Schoenberg, Maurizio Pollini | F♯ Major | 0 | 2B | 99 BPM | ||
Poème de l'amour et de la mer, Op. 19: Interlude | Ernest Chausson, Véronique Gens, Orchestre National de Lille, Alexandre Bloch | A♭ Major | 0 | 4B | 108 BPM | ||
Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM | ||
Suite, Op. 29: 4. Gigue | Arnold Schoenberg, Yvonne Loriod, Marcel Naulais, Guy Deplus, Louis Montaigne, Jacques Ghestem, Serge Collot, Jean Huchot, Pierre Boulez | D♭ Major | 3 | 3B | 107 BPM | ||
Symphony No. 5 in C-Sharp Minor (arr. J. Gribben for piano) | Gustav Mahler, John Gribben, Edward Wolanin | F Major | 0 | 7B | 71 BPM | ||
Aria, Op. 9 | Mieczysław Weinberg, Deutsche Kammerphilharmonie Bremen, Mirga Gražinytė-Tyla | B♭ Major | 1 | 6B | 103 BPM | ||
Siete Canciones Populares Españolas: VI. Nana - for alto and piano | Manuel de Falla, Tabea Zimmermann, Javier Perianes | C Major | 0 | 8B | 141 BPM | ||
Verklarte Nacht (Transfigured Night), Op. 4 (arr. E. Steuermann): Sehr ruhig (bar 370) | Eduard Steuermann, Arnold Schoenberg, Ulf Wallin, Torleif Thedéen, Roland Pöntinen | E Minor | 0 | 9A | 87 BPM |