Wolfgang Amadeus Mozart, Yvonne Kenny/Alfreda Hodgson/Arthur Davies/Gwynne Howell/London Symphony Chorus/Northern Sinfonia Chorus/Northern Sinfonia of England/Richard Hickox, Alfreda Hodgson, Arthur Davies, Gwynne Howell, London Symphony Chorus, Northern Sinfonia Chorus, Yvonne Kenny, Richard Hickox, Royal Northern Sinfonia made "Mozart: Requiem in D Minor, K. 626: XII. Benedictus" available on August 2, 2004. With this song being about 5 minutes long, at 4:56, "Mozart: Requiem in D Minor, K. 626: XII. Benedictus" by Wolfgang Amadeus Mozart, Yvonne Kenny/Alfreda Hodgson/Arthur Davies/Gwynne Howell/London Symphony Chorus/Northern Sinfonia Chorus/Northern Sinfonia of England/Richard Hickox, Alfreda Hodgson, Arthur Davies, Gwynne Howell, London Symphony Chorus, Northern Sinfonia Chorus, Yvonne Kenny, Richard Hickox, Royal Northern Sinfonia is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, Richard Hickox's "Mozart: Requiem" album is number 12 out of 14. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Mozart: Requiem in D Minor, K. 626: XII. Benedictus is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Mozart: Requiem in D Minor, K. 626: XII. Benedictus by Wolfgang Amadeus Mozart, Yvonne Kenny/Alfreda Hodgson/Arthur Davies/Gwynne Howell/London Symphony Chorus/Northern Sinfonia Chorus/Northern Sinfonia of England/Richard Hickox, Alfreda Hodgson, Arthur Davies, Gwynne Howell, London Symphony Chorus, Northern Sinfonia Chorus, Yvonne Kenny, Richard Hickox, Royal Northern Sinfonia to be Andante (at a walking pace) because the track has a tempo of 103 テンポ, a half-time of 52テンポ, and a double-time of 206 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Requiem in D Minor, K. 626: IX. Domine Jesu Christe | Wolfgang Amadeus Mozart, Rachel Yakar, Ortrun Wenkel, Kurt Equiluz, Robert Holl, Nikolaus Harnoncourt & Concentus musicus Wien, Vienna State Opera Chorus, Kurt Equiluz, Ortrun Wenkel, Rachel Yakar, Robert Holl, Nikolaus Harnoncourt, Concentus Musicus Wien | B Major | 1 | 1B | 86 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163 (Arr. P. Breiner for Piano): III. Allegretto grazioso | Antonín Dvořák, Peter Breiner | G Major | 1 | 9B | 179 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 4 in D Major | Sergei Rachmaninoff, Nikolai Lugansky | D Major | 0 | 10B | 78 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 106 BPM | ||
Canon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra) | Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus | D Major | 1 | 10B | 83 BPM | ||
Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | C Major | 0 | 8B | 66 BPM |