Betsy Jolas, Concord String Quartet made "Quatuor III "9 Etudes": VI. Multiple Stops" available on February 15, 2010. The duration of Quatuor III "9 Etudes": VI. Multiple Stops is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Quatuor III "9 Etudes": VI. Multiple Stops's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 12 in Betsy Jolas & Lejaren Hiller: String Quartets by Concord String Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Quatuor III "9 Etudes": VI. Multiple Stops is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Quatuor III "9 Etudes": VI. Multiple Stops by Betsy Jolas, Concord String Quartet is Andante (at a walking pace), since this song has a tempo of 87 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Young Person's Guide to the Orchestra, Op. 34: III. Variations E-H, Strings. Brillante, alla polacca - Meno mosso - Cominciando lento ma poco a poco accelerando | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | B Major | 0 | 1B | 124 BPM | ||
Wanderlied | Fanny Mendelssohn, Aitor Llimerá, Mario Mora | A Major | 0 | 11B | 71 BPM | ||
Vattendroppar, JS 216 | Jean Sibelius, Maja Bogdanovic, Daniel Rowland | B♭ Major | 1 | 6B | 175 BPM | ||
Elegie | Andy Scott | C Major | 0 | 8B | 79 BPM | ||
String Quartet No. 1: I. — | Brian Field, ÉxQuartet | A Minor | 0 | 8A | 123 BPM | ||
String Quartet No. 1: I. Presto con fuoco | Erwin Schulhoff, Orava Quartet | D♭ Minor | 0 | 12A | 115 BPM | ||
Petite Suite, L. 65 (Arr. for Chamber Ensemble by Shuhei Isobe): I. En bateau | Claude Debussy, Tokyo Sextet | G Minor | 1 | 6A | 73 BPM | ||
L'enfant et les sortilèges, M. 71: No. 1, J'ai pas envie de faire ma page | Maurice Ravel, Martine Mahé, Choeur D`Enfants, Choeur du Grand-Théâtre de Bordeaux, Orchestre National Bordeaux Aquitaine, Alain Lombard | C Major | 6 | 8B | 144 BPM | ||
El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night) | Manuel de Falla, Alicia Nafé, Asturias Symphony Orchestra, Maximiano Valdes | A♭ Major | 0 | 4B | 89 BPM | ||
Violin Concerto in C Major: I. Allegro moderato: section 5 | Havergal Brian, Marat Bisengaliev, BBC Scottish Symphony Orchestra, Lionel Friend | E Major | 0 | 12B | 101 BPM |