Arcangelo Corelli, Il Ruggiero, Emanuela Marcante made "Sonata da chiesa a tre in B Minor, Op. 3, No. 4: II. Vivace" available on October 1, 2012. With Sonata da chiesa a tre in B Minor, Op. 3, No. 4: II. Vivace being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 50 in Corelli: Opera III: Sonate a tre 1689 by Arcangelo Corelli, Emanuela Marcante. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Sonata da chiesa a tre in B Minor, Op. 3, No. 4: II. Vivace is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Sonata da chiesa a tre in B Minor, Op. 3, No. 4: II. Vivace by Arcangelo Corelli, Il Ruggiero, Emanuela Marcante is Larghetto (rather broadly), since this song has a tempo of 65 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in E Minor, No. 8: III. Sarabanda: Largo | Arcangelo Corelli, François Fernandez, Glen Wilson | A♭ Minor | 3 | 1A | 122 BPM | ||
Sonata Prima in F Major: IV. Giga Presto | Unico Wilhelm van Wassenaer, Teun & Teun | F♯ Minor | 1 | 11A | 126 BPM | ||
Concerto grosso in D, Op.6, No.1 - Rev. Vittorio Negri (1923- ): 1 Largo - Allegro | Arcangelo Corelli, Felix Ayo, Arnaldo Apostoli, Enzo Altobelli, Maria Teresa Garatti, Guy Bovet, I Musici | D Major | 2 | 10B | 144 BPM | ||
Cello Sonata No. 1 in D Minor: III. Largo | Alessandro Scarlatti, Ophélie Gaillard, Pulcinella Orchestra | A Major | 4 | 11B | 123 BPM | ||
Pieces in G Major: II. Entrée des Espagnolles | Jean-Baptiste Lully, Jakob Lindberg | G Minor | 1 | 6A | 83 BPM | ||
Rosary Sonatas: No. 11 in G Major ‘Resurrectio’, C 100: 2. Surrexit Christus hodie | Heinrich Ignaz Franz von Biber, Elizabeth Wallfisch, Linda Kent, Rosanne Hunt | F Minor | 0 | 4A | 106 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: I. Grazioso | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Symphony No. 21 in A Major, Hob. I:21: I. Adagio | Joseph Haydn, Johannes Klumpp, Heidelberg Symphony Orchestra | B♭ Major | 4 | 6B | 142 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: IV. Aria | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Sonata da Camera Op.2 No.7 in F Major: 1. Preludio - Adagio | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM |