"Götterdämmerung, WWV 86D / Zweiter Aufzug: Orchesterzwischenspiel - "Hoiho Hagen! Müder Mann!"" by Richard Wagner, Gundula Janowitz, Helge Brilioth, Karl Ridderbusch, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1970. Since Götterdämmerung, WWV 86D / Zweiter Aufzug: Orchesterzwischenspiel - "Hoiho Hagen! Müder Mann!" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Götterdämmerung by Richard Wagner, Berliner Philharmoniker, Herbert von Karajan. The song's track number on the album is #3 out of 48 tracks. Based on our data, Germany was the country where this track was produced or recorded. Götterdämmerung, WWV 86D / Zweiter Aufzug: Orchesterzwischenspiel - "Hoiho Hagen! Müder Mann!" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Götterdämmerung, WWV 86D / Zweiter Aufzug: Orchesterzwischenspiel - "Hoiho Hagen! Müder Mann!" by Richard Wagner, Gundula Janowitz, Helge Brilioth, Karl Ridderbusch, Berliner Philharmoniker, Herbert von Karajan has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Götterdämmerung, WWV 86D / Zweiter Aufzug: Orchesterzwischenspiel - "Hoiho Hagen! Müder Mann!" being at 86 テンポ, the half-time would be 43 テンポ with a double-time of 172 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Nozze di Figaro, K. 492: Atto primo. Scene 1 & 2. N.1 Duettino Figaro, Susanna "Cinque... dieci... venti..." | Wolfgang Amadeus Mozart, René Jacobs, Lorenzo Regazzo, Concerto Köln, Patrizia Ciofi | G Major | 1 | 9B | 134 BPM | ||
Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM | ||
Die Zauberflöte, K. 620: Overture | Wolfgang Amadeus Mozart, Staatskapelle Dresden, Sir Colin Davis | E♭ Major | 1 | 5B | 155 BPM | ||
Rossini: Il Barbiere di Siviglia: Overture | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | E Major | 2 | 12B | 88 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Mojca Erdmann, Mahler Chamber Orchestra, Yannick Nézet-Séguin | B Minor | 9 | 10A | 180 BPM | ||
Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 3 | 6B | 142 BPM | ||
Le Nozze di Figaro, K. 492: Atto primo. Scene 1 & 2. N.3 Cavatina Figaro "Se vuol ballare" | Wolfgang Amadeus Mozart, Concerto Köln, Lorenzo Regazzo, René Jacobs | C Major | 1 | 8B | 116 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: IV. Allegro, ma non troppo | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 74 BPM | ||
Die Zauberflöte, K. 620 / Erster Aufzug: "Dies Bildnis ist bezaubernd schön" | Wolfgang Amadeus Mozart, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | E♭ Major | 1 | 5B | 94 BPM |