Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt's 'Viola da gamba Sonata in G Major, BWV 1027 (Arr. for Cello & Piano): II. Allegro ma non tanto' came out on July 1, 2016. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 14 in Bach: Viola da gamba Sonatas by Daniel Müller-Schott, Angela Hewitt. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Viola da gamba Sonata in G Major, BWV 1027 (Arr. for Cello & Piano): II. Allegro ma non tanto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Viola da gamba Sonata in G Major, BWV 1027 (Arr. for Cello & Piano): II. Allegro ma non tanto by Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt is Allegro (fast, quick, and bright), since this song has a tempo of 140 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola Concerto in G Major, TWV 51:G9: Viola Concerto in G Major, TWV 51:G9: II. Allegro | Georg Philipp Telemann, Antoine Tamestit, Akademie für Alte Musik Berlin, Bernhard Forck | F♯ Major | 2 | 2B | 129 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 1 in C major, BWV 846 | Luc Beauséjour | A♭ Minor | 4 | 1A | 132 BPM | ||
Brandenburg Concerto No. 4 in G, BWV 1049: 1. Allegro - Live From Teatro Romolo Valli, Reggio Emilia, Italy / 2007 | Johann Sebastian Bach, Giuliano Carmignola, Michala Petri, Nikola Tarasov, Orchestra Mozart, Claudio Abbado | C Major | 0 | 8B | 120 BPM | ||
Harpsichord Concerto No. 6 in F Major, BWV 1057: III. Allegro assai | Johann Sebastian Bach, New Bach Collegium Musicum Leipzig, Burkhard Glaetzner, Paul Leenhouts, Karel Van Steenhoven, Christine Schornsheim | A Major | 2 | 11B | 148 BPM | ||
Bach, WF / Orch Rondeau: Keyboard Sonata in G Major, F. 7: II. Lamento | Wilhelm Friedemann Bach, Jean Rondeau, Sophie Gent, Louis Creac'h, Fanny Paccoud, Antoine Touche, Thomas de Pierrefeu, Evolène Kiener | A♭ Minor | 1 | 1A | 107 BPM | ||
Prelude In C Minor, BWV 999 : Prelude In C Minor, BWV 999 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 120 BPM | ||
Sonata in G Minor, No. 5: II. Vivace | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | F♯ Minor | 2 | 11A | 100 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 24 in B minor, BWV 869 | Luc Beauséjour | B♭ Minor | 3 | 3A | 101 BPM | ||
Suite in A Minor: V. La Piemontoise | Louis Couperin, Laurence Cummings | A♭ Minor | 3 | 1A | 71 BPM | ||
Suite en la: la Triomphante | Jean-Philippe Rameau, Natacha Kudritskaya | E Major | 2 | 12B | 103 BPM |