Kurt Weill, Kaye Ballard, Alan Jay Lerner, Allen Hanlon, Milt Hinton, Clyde Lombardi, Billy Taylor, Herb Harris, Percy Brice, Studio vocal ensemble made "Love Life, Act II: Mr. Right" available on September 30, 2008. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "Loewe, F.: Paint Your Wagon (Original Broadway Cast) (1951) / Weill, K.: Love Life (1955)" album is number 24 out of 24. On top of that, Hong Kong appears to be the country where this track was created. The popularity of Love Life, Act II: Mr. Right is currently not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Love Life, Act II: Mr. Right by Kurt Weill, Kaye Ballard, Alan Jay Lerner, Allen Hanlon, Milt Hinton, Clyde Lombardi, Billy Taylor, Herb Harris, Percy Brice, Studio vocal ensemble to be Vivace (lively and fast) because the track has a tempo of 167 テンポ, a half-time of 84テンポ, and a double-time of 334 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Winterreise, D911: Gute Nacht | Franz Schubert, Jonas Kaufmann | D Minor | 0 | 7A | 101 BPM | ||
Dido and Aeneas, Z.626 / Act 3: "Thy Hand Belinda - When I Am Laid In Earth" | Henry Purcell, Catherine Bott, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 83 BPM | ||
Dido and Aeneas, Z. 626: Act III: When I am Laid in Earth | Henry Purcell, Leontyne Price, Francesco Molinari-Pradelli | G Minor | 1 | 6A | 86 BPM | ||
Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Act II: Humming Chorus | Giacomo Puccini, Jozef Abel, Nelly Boschkowa, Miriam Gauci, Helena Hanzelova, Vladimir Kubovcik, Alžbeta Michálková, Yordy Ramiro, Jozef Spacek, Maria Stahelova, Robert Szücs, Georg Tichy, Ana Tomkovicova, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | B♭ Major | 0 | 6B | 83 BPM | ||
I Wish It So | Marc Blitzstein, Dawn Upshaw | C Major | 0 | 8B | 80 BPM | ||
The Barber of Seville, Overture | Gioachino Rossini, The King's Singers | D Major | 1 | 10B | 147 BPM | ||
Akhnaten: Hymn to the Sun | Philip Glass, Anthony Roth Costanzo, Jonathan Cohen, Les Violons du Roy | E Minor | 2 | 9A | 68 BPM | ||
Die tote Stadt: "Glück, das mir verblieb" | Erich Wolfgang Korngold, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra | B♭ Major | 1 | 6B | 171 BPM | ||
Poulenc: Léocadia, FP 106: Les chemins de l'amour | Francis Poulenc, Sabine Devieilhe, Alexandre Tharaud | D♭ Major | 1 | 3B | 83 BPM | ||
Laue Sommernacht - Vocal | Alma Mahler, Angelika Kirchschlager | C Minor | 3 | 5A | 133 BPM |