"Four Orchestral Pieces Op. 12 (Sz 51): III. Intermezzo: Moderato" by Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez was released on January 1, 1993. With this song being about 5 minutes long, at 5:03, "Four Orchestral Pieces Op. 12 (Sz 51): III. Intermezzo: Moderato" by Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 9 in Bartók: Concerto for Orchestra; Orchestral Pieces, Op. 12 by Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Four Orchestral Pieces Op. 12 (Sz 51): III. Intermezzo: Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Four Orchestral Pieces Op. 12 (Sz 51): III. Intermezzo: Moderato by Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez is Adagio (slowly with great expression), since this song has a tempo of 73 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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L'Oiseau de feu, K010: X. Khorovod (Ronde) des princesses | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | B Major | 0 | 1B | 142 BPM | ||
Les biches Suite, FP 36b: I. Rondeau | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 1 | 8B | 79 BPM | ||
Répons: Introduction | Pierre Boulez, Ensemble Intercontemporain | B Major | 1 | 1B | 80 BPM | ||
Bolt, Op. 27a (Ballet Suite No. 5): V. Intermezzo | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 0 | 4B | 65 BPM | ||
Symphony No. 1 in D Major: II. Kräftig bewegt | Gustav Mahler, Chicago Symphony Orchestra, Pierre Boulez | D♭ Major | 1 | 3B | 66 BPM | ||
Music for Strings, Percussion and Celesta, BB 114 (Sz. 106): I. Andante tranquillo | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Minor | 1 | 7A | 109 BPM | ||
Symphony No.5 In E Minor, Op.64, TH.29: 3. Valse (Allegro moderato) | Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, Herbert von Karajan | E Minor | 3 | 9A | 95 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Copland: Symphony No. 3: II. Allegro molto | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | F♯ Minor | 1 | 11A | 68 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM |