"Copland: Symphony No. 3: II. Allegro molto" by Aaron Copland, San Francisco Symphony, Michael Tilson Thomas was released on March 13, 2020. Since Copland: Symphony No. 3: II. Allegro molto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 4 in Copland: Symphony No. 3 by Aaron Copland, San Francisco Symphony, Michael Tilson Thomas. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Copland: Symphony No. 3: II. Allegro molto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Copland: Symphony No. 3: II. Allegro molto by Aaron Copland, San Francisco Symphony, Michael Tilson Thomas is Adagio (slowly with great expression), since this song has a tempo of 68 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | ||
Symphony No.2: 1. Andante moderato | Charles Ives, New York Philharmonic, Leonard Bernstein | D Major | 1 | 10B | 112 BPM | ||
The Rite of Spring, Part 2: III .Glorification of the Chosen One | Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | D♭ Major | 6 | 3B | 137 BPM | ||
Tilson Thomas: Snappy Patter I | Michael Tilson Thomas, Ian Bousfield | F Major | 2 | 7B | 149 BPM | ||
Carmina Burana - 3. Cour d'amours: "In trutina" | Carl Orff, Lynne Dawson, San Francisco Symphony, Herbert Blomstedt | D Major | 0 | 10B | 80 BPM | ||
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: II. Andantino in moto di canzone | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | B♭ Minor | 0 | 3A | 82 BPM | ||
Love's Labour's Lost, Op.28: 3. Soliloquy 3: On a day, alack the day - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | B♭ Major | 1 | 6B | 103 BPM | ||
Symphony No. 9 in D Major: Ib. Etwas Frischer | Gustav Mahler, Leonard Bernstein, New York Philharmonic | F Minor | 0 | 4A | 86 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 3. R.B.T. (Allegretto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 86 BPM | ||
Schoenberg: 5 Orchestral Pieces, Op. 16: No. 1 Vorgefühle (Forebodings) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 3 | 3B | 75 BPM |