"Waldszenen, Op. 82: No. 6 Herberge" by Robert Schumann, Maria João Pires was released on January 1, 1994. The duration of Waldszenen, Op. 82: No. 6 Herberge is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Waldszenen, Op. 82: No. 6 Herberge's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Schumann: Piano Pieces". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Waldszenen, Op. 82: No. 6 Herberge is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Waldszenen, Op. 82: No. 6 Herberge by Robert Schumann, Maria João Pires having a テンポ of 74 with a half-time of 37 テンポ and a double-time of 148 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonatina in G Major, Op. 36 No. 2: II. Allegretto | Muzio Clementi, Howard Shelley | E Minor | 1 | 9A | 104 BPM | ||
Schumann: 12 Gedichte aus Friedrich Rückerts "Liebesfrühling", Op. 37: No. 7, Schön ist das Fest des Lenzes (Einfach und nicht rasch) | Clara Schumann, Friedrich Rückert, Robert Schumann, Edda Moser | A♭ Major | 2 | 4B | 71 BPM | ||
Préludes - Book 2, L.123: 3. La puerta del vino | Claude Debussy, Pierre-Laurent Aimard | A♭ Major | 0 | 4B | 62 BPM | ||
English Suite No. 3 in G Minor, BWV 808: I. Prélude | Johann Sebastian Bach, Maria João Pires | G Minor | 4 | 6A | 105 BPM | ||
Piano Sonata No. 9 in D Major, K. 311: III. Rondeau (Allegro) | Wolfgang Amadeus Mozart, Maria João Pires | D Major | 1 | 10B | 134 BPM | ||
Schumann: Belsatzar, Op. 57 | Heinrich Heine, Robert Schumann, Ian Bostridge, Julius Drake | C Minor | 1 | 5A | 83 BPM | ||
Liadov : 3 Preludes Op.57 : No.1 in D flat major | Anatoly Lyadov, Boris Berezovsky | D♭ Major | 0 | 3B | 80 BPM | ||
Schumann: Liederkreis, Op. 24: No. 3, Ich wandelte unter den Bäumen | Heinrich Heine, Robert Schumann, Ian Bostridge, Julius Drake | B Major | 0 | 1B | 78 BPM | ||
13 Pieces, Op. 76: No. 13 Harlequinade | Jean Sibelius, Håvard Gimse | E♭ Major | 1 | 5B | 118 BPM | ||
Schumann: Humoreske, Op. 20: IV. Innig | Robert Schumann, Piotr Anderszewski | B♭ Major | 0 | 6B | 166 BPM |