Johann Sebastian Bach, Maria João Pires made "English Suite No. 3 in G Minor, BWV 808: I. Prélude" available on January 1, 1995. The duration of English Suite No. 3 in G Minor, BWV 808: I. Prélude is about 3 minutes long, at 3:20. Based on our data, "English Suite No. 3 in G Minor, BWV 808: I. Prélude" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 23 in Bach, J.S.: Partita No. 1; English Suite No. 3; French Suite No. 2 by Johann Sebastian Bach, Maria João Pires. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, English Suite No. 3 in G Minor, BWV 808: I. Prélude is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of English Suite No. 3 in G Minor, BWV 808: I. Prélude by Johann Sebastian Bach, Maria João Pires is Andante (at a walking pace), since this song has a tempo of 105 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Partita No. 1 in B Flat Major, BWV 825: I. Praeludium | Johann Sebastian Bach, Maria João Pires | E♭ Major | 0 | 5B | 66 BPM | ||
24 Préludes, Op. 28: No. 16 in B-Flat Minor | Frédéric Chopin, Maria João Pires | A♭ Major | 1 | 4B | 107 BPM | ||
St. Matthew Passion, BWV 244 / Part One: No. 17 Choral: "Ich will hier bei dir stehen" | Johann Sebastian Bach, Thomanerchor Leipzig, Tölzer Knabenchor, Gewandhausorchester, Riccardo Chailly | E♭ Major | 1 | 5B | 81 BPM | ||
Handel: Keyboard Suite in F Major, HWV 427: II. Allegro | George Frideric Handel, Sviatoslav Richter | D Minor | 0 | 7A | 176 BPM | ||
Schumann: Kinderszenen, Op. 15: I Von fremden Ländern und Menschen | Robert Schumann, Maria João Pires | G Major | 0 | 9B | 67 BPM | ||
Prelude In F Major, BWV 928 : Prelude In F Major, BWV 928 | Janos Sebestyen, Johann Sebastian Bach | F Major | 2 | 7B | 140 BPM | ||
Well-Tempered Clavier, Book 2: Fugue No. 12 in F Minor, BWV 881 - Upon Piano Roll Welte-Mignon 544, Issued 1905 | Johann Sebastian Bach, Raoul Stéphane Pugno | F Minor | 2 | 4A | 71 BPM | ||
Schumann: Kinderszenen, Op. 15: VII. Träumerei | Robert Schumann, Maria João Pires | F Major | 0 | 7B | 66 BPM | ||
Bach, J.S.: Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai | Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 109 BPM | ||
Musical Characteristics, Op. 19: V. Prelude 1 alla Mozart | Muzio Clementi, Howard Shelley | F Major | 1 | 7B | 68 BPM |