"Folk Songs: No. 11, Azerbaijan Love Song" by Luciano Berio, Christine Schadeberg, Musicians Accord, Tanía León was released on November 21, 1995. The duration of Folk Songs: No. 11, Azerbaijan Love Song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Folk Songs: No. 11, Azerbaijan Love Song's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 25 in Berio: The Great Works for Voice by Luciano Berio, Christine Schadeberg, Musicians Accord, Tanía León, Hayes Biggs. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Folk Songs: No. 11, Azerbaijan Love Song is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Folk Songs: No. 11, Azerbaijan Love Song by Luciano Berio, Christine Schadeberg, Musicians Accord, Tanía León is Adagio (slowly with great expression), since this song has a tempo of 73 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
15 Improvisations, FP 170: No. 13 in A Minor | Francis Poulenc, Lucille Chung | C Major | 0 | 8B | 72 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
7 Preludes, Op. 17: No. 3 in D-Flat Major | Alexander Scriabin, Maria Lettberg | A Major | 2 | 11B | 103 BPM | ||
Schubert: Waltz in G-Flat Major, D. Anh. I/14, "Kupelwieser Walzer" | Franz Schubert, Mariam Batsashvili | D Major | 1 | 10B | 126 BPM | ||
15 Pieces, Op. 3: Prelude | Gabriel Pierné, Hae Won Chang | C Minor | 0 | 5A | 83 BPM | ||
4 Postludes for Piano & String Orchestra: No. 3. Larghetto, con moto (poco rubato) | Valentin Silvestrov, Elisaveta Blumina, Stuttgart Chamber Orchestra, Thomas Sanderling | G Major | 0 | 9B | 74 BPM | ||
7 Piano Pieces, Op. 27 "Spring": IV. Kevatyo (May Night) | Selim Palmgren, Risto Lauriala | E Major | 0 | 12B | 68 BPM | ||
Introduction & Variations on Favorite Airs from Bellini's "Norma", Op. 36: Var. 2, Andante con espressione | Elias Parish Alvars, Paola Perrucci | E♭ Major | 0 | 5B | 79 BPM | ||
White Lily (from 3 Hungarian Folksongs from Csík, Sz. 35a/3) - Grand Piano | Béla Bartók, Víkingur Ólafsson | D Minor | 0 | 7A | 77 BPM | ||
Symphony No. 5 in C-Sharp Minor (arr. J. Gribben for piano) | Gustav Mahler, John Gribben, Edward Wolanin | F Major | 0 | 7B | 71 BPM |