"St Anne’s Mass: I. Kyrie" by James MacMillan, Cappella Nova, Alan Tavener had its release date on November 5, 2021. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in James MacMillan, Cappella Nova, Alan Tavener's "MacMillan: Consecration" album is number 13 out of 18. On top of that, United Kingdom appears to be the country where this track was created. St Anne’s Mass: I. Kyrie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of St Anne’s Mass: I. Kyrie by James MacMillan, Cappella Nova, Alan Tavener to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Now the Day Is Over SHZ 511 | Laestadian Lutheran Church, Ian Hendrickson, Kaitlyn Huhta, Liisa Keranen, Laurel Loukusa, Karen McAdams, Jake Muhonen | B♭ Major | 1 | 6B | 66 BPM | ||
Anim Zemirot - Pt. II | Jacob Mühlrad, Swedish Radio Choir | E♭ Major | 1 | 5B | 115 BPM | ||
We Sing for All the Unsung Saints | Harvard University Choir | F Major | 1 | 7B | 96 BPM | ||
When in our music God is glorified | Charles Villiers Stanford, Cathedral Choral Society, Nicholas White, Gisele Becker | G Major | 2 | 9B | 88 BPM | ||
Wesley: Lo! He Comes with Clouds Descending (Helmsley) - 1. Lo! He Comes with Clouds Descending | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | G Major | 1 | 9B | 131 BPM | ||
In Thee, O Full of Grace | The Chamber Choir of St. Tikhon's Monastery, Benedict Sheehan | G Major | 1 | 9B | 126 BPM | ||
Wesley: Let Earth and Heaven Agree (Millennium) - 1. Let Earth and Heaven Agree | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | A Major | 1 | 11B | 113 BPM | ||
Christ Our Paschal Lamb | John Sheppard, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | F Major | 1 | 7B | 81 BPM | ||
The Lamb | John Tavener, Cappella Nova, Alan Tavener | C Major | 0 | 8B | 82 BPM | ||
Vidi aquam (Forty-Part Motet) | James MacMillan, Suzi Digby, Ora Singers | D Minor | 1 | 7A | 61 BPM |