"When in our music God is glorified" by Charles Villiers Stanford, Cathedral Choral Society, Nicholas White, Gisele Becker was released on August 1, 2010. With When in our music God is glorified being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gisele Becker's "Hymns Through the Centuries, Vol. 1" album is number 1 out of 27. When in our music God is glorified is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of When in our music God is glorified by Charles Villiers Stanford, Cathedral Choral Society, Nicholas White, Gisele Becker to be Andante (at a walking pace) because the track has a tempo of 88 テンポ, a half-time of 44テンポ, and a double-time of 176 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
When morning gilds the skies | Joseph Barnby, Wells Cathedral Choir, Malcolm Archer & Rupert Gough, Wells Cathedral School Brass Ensemble | C Major | 1 | 8B | 110 BPM | ||
Holy God We Praise Thy Name | The Festival Choir and Hosanna Chorus | F Major | 2 | 7B | 77 BPM | ||
Coe Fen "How Shall I Sing That Majesty" | Ken Naylor, Salisbury Cathedral Choir, John Challenger, David Halls | E Major | 2 | 12B | 96 BPM | ||
Morning has Broken | Fleanor Farjeon, Salisbury Cathedral Choir, Simon Lole | B♭ Major | 2 | 6B | 98 BPM | ||
Psalm 54 "Save Me O God for Thy Name's Sake" | Frederick William Wadely, Wells Cathedral Choir, Christopher Brayne, Anthony Crossland | C Minor | 1 | 5A | 134 BPM | ||
Psalm 139 to 'Highland Cathedral' (A Capella) | The Psalms Sung | E Major | 2 | 12B | 96 BPM | ||
As Joseph Was a-Walking | Margaret Rizza, Kevin Mayhew Ltd | D Minor | 1 | 7A | 99 BPM | ||
Lord, for Thy Tender Mercy's Sake | Richard Farrant, Westminster Kantorei, Amanda Quist | A♭ Major | 1 | 4B | 77 BPM | ||
Drop, Drop Slow Tears | Chorus Angelicus | G Major | 0 | 9B | 80 BPM | ||
The Eyes of All Wait Upon Thee | Jean Berger, Syracuse University Singers, John Warren | E Minor | 1 | 9A | 132 BPM |