Silvestre Revueltas, Xalapa Symphony Orchestra, Carlos Miguel Prieto made "La noche de los mayas: II. Noche de Jaranas" available on January 1, 2007. La noche de los mayas: II. Noche de Jaranas is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. There are a total of 7 in the song's album "Revueltas, S.: Noche De Los Mayas (La) / Itinerarios / Ventanas / Caminos". In this album, this song's track order is #2. Based on our statistics, La noche de los mayas: II. Noche de Jaranas's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With La noche de los mayas: II. Noche de Jaranas by Silvestre Revueltas, Xalapa Symphony Orchestra, Carlos Miguel Prieto having a テンポ of 152 with a half-time of 76 テンポ and a double-time of 304 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Canciones para ninos (arr. M. de Elias): No. 3. Cancion tonta | Silvestre Revueltas, Manuel de Elías, Juan Carlos Laguna, Mexico City Chamber Orchestra, Benjamin Juarez Echenique | D Major | 0 | 10B | 132 BPM | ||
3 Sonetos: No. 3. Era mi corazón, piedra de rio | Silvestre Revueltas, Carlos Pellicer, Gabriel Urrutia, KNM Streichquartett, Roland Kluttig | B Minor | 4 | 10A | 100 BPM | ||
Sensemayá (1938) | Silvestre Revueltas, Alondra de la Parra, Philharmonic Orchestra of the Americas | F♯ Major | 5 | 2B | 180 BPM | ||
The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Allegro: Introduction | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D♭ Minor | 4 | 12A | 59 BPM | ||
Intermezzo de Atzimba (1900) | Ricardo Castro, Alondra de la Parra, Philharmonic Orchestra of the Americas | G Major | 1 | 9B | 61 BPM | ||
Stravinsky: Petrouchka, Tableau I "La foire du Mardi-Gras": Introduction - Fête populaire de la semaine grasse (1947 Version) | Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra | D Major | 9 | 10B | 142 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
Symphony No. 9 in E Minor Op. 95 "from the New World": I. Adagio - Allegro molto | Antonín Dvořák, Ferenc Fricsay, Berliner Philharmoniker | A Minor | 2 | 8A | 116 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal. Valse | Hector Berlioz, Leonard Bernstein, New York Philharmonic | A Major | 3 | 11B | 89 BPM | ||
Clarinet Concerto in C Minor, Op. 31: I. Allegro vigoroso | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | A♭ Major | 1 | 4B | 79 BPM |