"Suite à l'ancienne: VI. Gigue" by Marc-André Hamelin was released on February 2, 2024. The duration of Suite à l'ancienne: VI. Gigue is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Suite à l'ancienne: VI. Gigue's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marc-André Hamelin's "Hamelin: New Piano Works" album is number 16 out of 37. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Suite à l'ancienne: VI. Gigue's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite à l'ancienne: VI. Gigue by Marc-André Hamelin to be Allegro (fast, quick, and bright) because the track has a tempo of 129 テンポ, a half-time of 64テンポ, and a double-time of 258 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Preludes, Op. 34: No. 21 in B-Flat Major. Allegretto poco moderato | Dmitri Shostakovich, Tatiana Nikolayeva | G Major | 1 | 9B | 63 BPM | ||
Freie Fantasie fürs Clavier in F-Sharp Minor, H. 300: I. Adagio | Carl Philipp Emanuel Bach, Marc-André Hamelin | F♯ Minor | 0 | 11A | 69 BPM | ||
Concerto for 2 Pianos, K058: IV. Preludio e Fuga | Igor Stravinsky, Leif Ove Andsnes, Marc-André Hamelin | A♭ Minor | 1 | 1A | 92 BPM | ||
Prelude & Fugue in C Major, K. 394: I. Prelude | Wolfgang Amadeus Mozart, Kun-Woo Paik | C Major | 3 | 8B | 103 BPM | ||
For Bunita Marcus (1985): page 32 | Morton Feldman, Marc-André Hamelin | C Major | 0 | 8B | 68 BPM | ||
Prelude, Op. 3 No. 2, in C# Minor | Sergei Rachmaninoff, Manuel del Corral | F Major | 0 | 7B | 111 BPM | ||
British Folk-Music Settings: No. 4, Shepherd's Hey | Percy Grainger, Marc-André Hamelin | G Major | 1 | 9B | 126 BPM | ||
24 Variations on "Venni Amore" in D Major, WoO 65: Variation XII | Ludwig van Beethoven, Mikhail Pletnev | G Major | 1 | 9B | 76 BPM | ||
7 Short Pieces for the Cultivation of Polyphonic Playing, BV 296: No. 2, Sostenuto – Poco più andante | Ferruccio Busoni, Marc-André Hamelin | C Minor | 2 | 5A | 96 BPM | ||
8 Concert Etudes, Op. 40: V. Shuitka. Vivace | Nikolai Kapustin, Marc-André Hamelin | F♯ Major | 4 | 2B | 110 BPM |