"24 Preludes, Op. 34: No. 21 in B-Flat Major. Allegretto poco moderato" by Dmitri Shostakovich, Tatiana Nikolayeva was released on September 1, 1992. With 24 Preludes, Op. 34: No. 21 in B-Flat Major. Allegretto poco moderato being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 30 in the song's album "Shostakovich: 3 Fantastic Dances; 24 Preludes Op. 34; Piano Sonata No 2". In this album, this song's track order is #24. Furthermore, we believe that the track originated from United Kingdom. 24 Preludes, Op. 34: No. 21 in B-Flat Major. Allegretto poco moderato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 24 Preludes, Op. 34: No. 21 in B-Flat Major. Allegretto poco moderato by Dmitri Shostakovich, Tatiana Nikolayeva having a テンポ of 63 with a half-time of 32 テンポ and a double-time of 126 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Piano Variations in F Major, Op. 34: Variation IV. Tempo di menuetto in E Major | Ludwig van Beethoven, Mikhail Pletnev | B♭ Major | 1 | 6B | 101 BPM | ||
Mazurka No. 4 in E flat minor Op. 6 No. 4 | Frédéric Chopin, Nikita Magaloff | A♭ Minor | 0 | 1A | 81 BPM | ||
Piano Sonata No.1 in C, Op.1: 3. Scherzo (Allegro molto e con fuoco) | Johannes Brahms, Sviatoslav Richter | F♯ Minor | 1 | 11A | 87 BPM | ||
48 Esquisses, Op. 63, Book 3: No. 31, Début de quatuor | Charles-Valentin Alkan, Steven Osborne | C Major | 0 | 8B | 73 BPM | ||
Le petit nègre "Cakewalk", CD 122 | Claude Debussy, Steven Osborne | A♭ Major | 0 | 4B | 69 BPM | ||
Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: IV. Interlude | Lev Atovmyan, Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | B♭ Major | 0 | 6B | 89 BPM | ||
6 Pezzi, P. 44: No. 4. Minuetto | Ottorino Respighi, Konstantin Scherbakov | G Major | 0 | 9B | 132 BPM | ||
Invention No. 11 in G Minor, BWV 782 | Johann Sebastian Bach, Tatiana Nikolayeva | G Minor | 1 | 6A | 130 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 22, R. 190: 2. Allegro scherzando | Camille Saint-Saëns, Pascal Rogé, Royal Philharmonic Orchestra, Charles Dutoit | E♭ Major | 1 | 5B | 60 BPM | ||
Waldszenen, Op. 82: No. 4 Verrufene Stelle | Robert Schumann, Maria João Pires | B♭ Major | 2 | 6B | 64 BPM |