Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek made "Concerto Grosso in C Major, Op. 1, No. 10: IV. Vivace" available on July 5, 1996. The duration of Concerto Grosso in C Major, Op. 1, No. 10: IV. Vivace is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Concerto Grosso in C Major, Op. 1, No. 10: IV. Vivace's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Pietro Locatelli's "Locatelli: Concerti Grossi, Op. 1, Nos. 7-12" album is number 17 out of 26. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Concerto Grosso in C Major, Op. 1, No. 10: IV. Vivace is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Concerto Grosso in C Major, Op. 1, No. 10: IV. Vivace by Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek to be Andante (at a walking pace) because the track has a tempo of 95 テンポ, a half-time of 48テンポ, and a double-time of 190 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in G Minor, Op. 1, No. 12: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 3 | 7B | 128 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 6: I. Vivace - | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Major | 1 | 12B | 80 BPM | ||
Symphony in G Major, Op. 3 No. 1, WolS G2: II. Andante non adagio | Johann Stamitz, Musica Viva, Alexander Rudin | F♯ Major | 0 | 2B | 125 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Concerto No.1 for Trumpet, 2 Oboes, Strings and Continuo in D: 2. Grave | Georg Philipp Telemann, Håkan Hardenberger, Celia Nicklin, Tess Miller, John Constable, Academy of St. Martin in the Fields, Iona Brown | B Minor | 1 | 10A | 79 BPM | ||
Concerto in C Major, H.117, Op. 7: I. Francese Presto | Francesco Geminiani, Café Zimmermann | B Major | 3 | 1B | 112 BPM | ||
Amphitryon, or The Two Sosias, Z.572: Hornpipe - Scotch Tune | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 115 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 5: II. Andante, sempre Piano | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Major | 1 | 12B | 80 BPM | ||
Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Major | 1 | 3B | 121 BPM |