Kurt Weill, Frank Peter Zimmermann, Mariss Jansons, Berliner Philharmoniker's 'Concerto for Violin and Wind Orchestra Op. 12 (1924): - CADENZA Moderato' had a release date set for September 7, 2009. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Weill: Symphony No.2, Seven Deadly Sins etc. by Kurt Weill, Various Artists. The song's track number on the album is #7 out of 38 tracks. Concerto for Violin and Wind Orchestra Op. 12 (1924): - CADENZA Moderato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Concerto for Violin and Wind Orchestra Op. 12 (1924): - CADENZA Moderato by Kurt Weill, Frank Peter Zimmermann, Mariss Jansons, Berliner Philharmoniker has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Concerto for Violin and Wind Orchestra Op. 12 (1924): - CADENZA Moderato being at 80 テンポ, the half-time would be 40 テンポ with a double-time of 160 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die sieben Todsünden: VII. Neid auf die Glücklichen - Allegro non troppo | Kurt Weill, Gisela May, Peter Schreier, Hans-Joachim Rotzsch, Hermann Christian Polster, Günther Leib, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel | F Major | 0 | 7B | 128 BPM | ||
Dido and Aeneas: Overture | Henry Purcell, English Chamber Orchestra, Raymond Leppard | C Minor | 3 | 5A | 147 BPM | ||
Die tote Stadt: "Glück, das mir verblieb" | Erich Wolfgang Korngold, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra | B♭ Major | 1 | 6B | 171 BPM | ||
Poème de Théophile de Viau: À Chloris | Reynaldo Hahn, Marie-Nicole Lemieux | E♭ Major | 1 | 5B | 59 BPM | ||
Bachianas brasileiras No. 5: Ária (Cantilena) | Heitor Villa-Lobos, Anna Moffo, Leopold Stokowski, American Symphony Orchestra | A Minor | 2 | 8A | 119 BPM | ||
Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": III. Joutsenet muuttavat (Swans Migrating) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 3 | 3B | 85 BPM | ||
Doucet: Chopinata. Fantaisie musicale dans un rythme de fox sur des motifs de Chopin | Clément Doucet, Alexandre Tharaud | D♭ Minor | 1 | 12A | 106 BPM | ||
Tico Tico | Zequinha Abreu, Ludmila Peterková, Irina Kondratenko | C Minor | 5 | 5A | 105 BPM | ||
Lohengrin, WWV 75: Prelude to Act 1 | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | A Major | 1 | 11B | 72 BPM | ||
In Re Don Giovanni | Michael Nyman, Michael Nyman Band | D♭ Major | 3 | 3B | 113 BPM |