"Handel: Oboe Concerto in B-Flat Major, HWV 301 (Arr. for Trumpet): III. Siciliana (Largo)" by George Frideric Handel, Alison Balsom, Trevor Pinnock, The English Concert was released on October 1, 2012. The duration of Handel: Oboe Concerto in B-Flat Major, HWV 301 (Arr. for Trumpet): III. Siciliana (Largo) is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Handel: Oboe Concerto in B-Flat Major, HWV 301 (Arr. for Trumpet): III. Siciliana (Largo)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alison Balsom's "Kings & Queens" album is number 25 out of 26. Based on our statistics, Handel: Oboe Concerto in B-Flat Major, HWV 301 (Arr. for Trumpet): III. Siciliana (Largo)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Handel: Oboe Concerto in B-Flat Major, HWV 301 (Arr. for Trumpet): III. Siciliana (Largo) by George Frideric Handel, Alison Balsom, Trevor Pinnock, The English Concert to be Allegro (fast, quick, and bright) because the track has a tempo of 121 テンポ, a half-time of 60テンポ, and a double-time of 242 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Canon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra) | Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus | D Major | 1 | 10B | 83 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 115 BPM | ||
Sonata in E Major, Kk. 20: Presto | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
Concerto In D Major For 2 Violins, Strings & Continuo, RV 511: 3. Allegro | Antonio Vivaldi, Viktoria Mullova, Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | D Major | 2 | 10B | 139 BPM | ||
Concerto for Oboe, Strings and B.c. "Voli per l'aria": Adagio (from Organconcerto op.4,3, HWV 291) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | B♭ Minor | 0 | 3A | 178 BPM |