"Symphony No. 2 in D Major: III. Adagio, ma non tanto" by Viktor Ullmann, Tschechische Philharmonie, Gerd Albrecht was released on January 1, 2016. With this song being about 5 minutes long, at 4:38, "Symphony No. 2 in D Major: III. Adagio, ma non tanto" by Viktor Ullmann, Tschechische Philharmonie, Gerd Albrecht is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Schulhuff, Haas, Klein & Ullmann: Orchestral Works". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. Symphony No. 2 in D Major: III. Adagio, ma non tanto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 2 in D Major: III. Adagio, ma non tanto by Viktor Ullmann, Tschechische Philharmonie, Gerd Albrecht having a テンポ of 64 with a half-time of 32 テンポ and a double-time of 128 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
The music key of this track is D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Quintet in C Major Sz. 23: II. Vivace (Scherzando) | Béla Bartók, Zemlinsky Quartet, Paolo Giacometti | D♭ Major | 1 | 3B | 120 BPM | ||
6 Pastoral Dances, Op. 40: No. 2. Waltz | Arnold Rosner, London Philharmonic Orchestra, David Amos | A Minor | 0 | 8A | 178 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Astrognosia: Interludium I | Magne Amdahl, Ingar Bergby, Kork, The Norwegian Radio Orchestra | A♭ Major | 0 | 4B | 77 BPM | ||
Der Kaiser von Atlantis, Op. 49b: Das waren Kriege | Viktor Ullmann, Wassyl Slipak, Orchestre Musique des Lumières, Facundo Agudin | G Major | 4 | 9B | 170 BPM | ||
String Quartet No. 10, Op. 118: III. Adagio | Dmitri Shostakovich, Tiziano Baviera, Alberto Franchin, Sara Dambruoso, Tommaso Tesini, Quartetto Noûs | A Major | 1 | 11B | 122 BPM | ||
A Child of our Time, Part III: Preludium | Michael Tippett, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Aria for String Quartet, Op. 9 | Mieczysław Weinberg, NOVO Quartet | G Minor | 0 | 6A | 103 BPM | ||
The Excursions of Mr. Brouček, JWI/7: "Introduction" | Leoš Janáček, Prague National Theatre Orchestra, Jaroslav Kyzlink | F♯ Major | 1 | 2B | 75 BPM | ||
Femina Feminae VI. L'ecole Buissonière | Gerard Pastor, Marta Urzaiz | B Minor | 3 | 10A | 103 BPM |