Kurt Weill, Robyn Archer/London Sinfonietta/Dominic Muldowney, Dominic Muldowney, London Sinfonietta's 'Happy End (1981 Digital Remaster): Song of Surabaya Johnny (after Kipling)' had a release date set for September 7, 2009. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Weill: Symphony No.2, Seven Deadly Sins etc. by Kurt Weill, Various Artists. The song's track number on the album is #19 out of 38 tracks. Based on our statistics, Happy End (1981 Digital Remaster): Song of Surabaya Johnny (after Kipling)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Happy End (1981 Digital Remaster): Song of Surabaya Johnny (after Kipling) by Kurt Weill, Robyn Archer/London Sinfonietta/Dominic Muldowney, Dominic Muldowney, London Sinfonietta has a tempo of 158 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Happy End (1981 Digital Remaster): Song of Surabaya Johnny (after Kipling) being at 158 テンポ, the half-time would be 79 テンポ with a double-time of 316 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 5/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Pêcheurs de perles: Je crois entendre encore (Nadir) | Georges Bizet, Nicolai Gedda, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | A Minor | 1 | 8A | 88 BPM | ||
My Ship | Ira Gershwin, Kurt Weill, Dawn Upshaw | F Major | 1 | 7B | 169 BPM | ||
Poulenc: Léocadia, FP 106: Les chemins de l'amour | Francis Poulenc, Sabine Devieilhe, Alexandre Tharaud | D♭ Major | 1 | 3B | 83 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: I. Grave | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Minor | 1 | 7A | 174 BPM | ||
Rameau: Les Indes galantes, Quatrième entrée "Les sauvages": "Forêts paisibles" (Zima, Adario, Sauvages) | Jean-Philippe Rameau, Sabine Devieilhe, Aimery Lefèvre, Le Jeune Choeur de Paris, Alexis Kossenko, Les Ambassadeurs | F♯ Minor | 3 | 11A | 85 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance IV | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | G Major | 3 | 9B | 105 BPM | ||
Die Dreigroschenoper: Die Ballade von der sexuellen Hörigkeit | Kurt Weill, Ensemble Modern, H.K. Gruber, Nina Hagen | E♭ Major | 1 | 5B | 69 BPM | ||
Bizet: Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès) | Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris | C Major | 2 | 8B | 138 BPM | ||
Doucet: Chopinata. Fantaisie musicale dans un rythme de fox sur des motifs de Chopin | Clément Doucet, Alexandre Tharaud | D♭ Minor | 1 | 12A | 106 BPM |