Robert Johnson, Paul O'Dette, Bill Badley, Robert Meunier, David Miller, Martin Eastwell, Anja Lutzow, Klaus Jacobsen, Stephen Player, Clive Ungless, Tom Eve, David Parsons, Hugh Cherry, Michael Fields, Jakob Lindberg, Nigel North, Tim Crawford, Paula Chateauneuf, Richard Stone, Roxana Gundry, Torbjörn Söderquist, Roy Goodman made "Three Masque Dances: Dance II - Dance III" available on January 31, 1986. Three Masque Dances: Dance II - Dance III is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. The track order of this song in Various Artists, Roy Goodman's "Music for Three, Four, And Twenty Lutes" album is number 8 out of 13. Based on our statistics, Three Masque Dances: Dance II - Dance III's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Three Masque Dances: Dance II - Dance III by Robert Johnson, Paul O'Dette, Bill Badley, Robert Meunier, David Miller, Martin Eastwell, Anja Lutzow, Klaus Jacobsen, Stephen Player, Clive Ungless, Tom Eve, David Parsons, Hugh Cherry, Michael Fields, Jakob Lindberg, Nigel North, Tim Crawford, Paula Chateauneuf, Richard Stone, Roxana Gundry, Torbjörn Söderquist, Roy Goodman to be Allegro (fast, quick, and bright) because the track has a tempo of 131 テンポ, a half-time of 66テンポ, and a double-time of 262 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lady Rich, Her Galliard | John Dowland, Nigel North | F♯ Major | 0 | 2B | 83 BPM | ||
Johnson: Come, Heavy Sleep | Robert Johnson, Emma Kirkby, Anthony Rooley | F Minor | 1 | 4A | 73 BPM | ||
Elizabeth and Essex - Queen Elizabeth's Gaillard | Hopkinson Smith, John Dowland | A Minor | 1 | 8A | 88 BPM | ||
Première suytte de Bransles d'Escosse | Pierre Attaingnant, Doulce Mémoire, Denis Raisin-Dadre | C Minor | 2 | 5A | 105 BPM | ||
Ballo Francese chiamato Petit Rinense (Arr. for Wind Ensemble and Percussion by Nicolas Sansarlat) | Giovanni Ambrosio, Into the Winds | B♭ Major | 1 | 6B | 136 BPM | ||
Lavender's Blue (Arr. Andrew Ford) | Andrew Barnes, Robert Johnson, Teddy Tahu Rhodes | D Major | 2 | 10B | 91 BPM | ||
Lute Sonata No. 6: III. Sarabanda | Giovanni Zamboni, Luciano Còntini | A♭ Minor | 0 | 1A | 89 BPM | ||
La Princesse | Nicolas Vallet, Paul O'Dette | B Minor | 0 | 10A | 130 BPM | ||
Qual Lege Move | Bartolino da Padova, Ensemble Syntagma, Alexandre Danilevski | E Major | 1 | 12B | 141 BPM | ||
Suite No. 9 en ré mineur: Menuet | Robert de Visée, Sandro Volta | D♭ Major | 0 | 3B | 135 BPM |