Giovanni Ambrosio, Into the Winds made "Ballo Francese chiamato Petit Rinense (Arr. for Wind Ensemble and Percussion by Nicolas Sansarlat)" available on May 12, 2023. With Ballo Francese chiamato Petit Rinense (Arr. for Wind Ensemble and Percussion by Nicolas Sansarlat) being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Into the Winds's "Le parfaict danser. Dance Music 1300-1500" album is number 8 out of 31. On top of that, Belgium appears to be the country where this track was created. Based on our statistics, Ballo Francese chiamato Petit Rinense (Arr. for Wind Ensemble and Percussion by Nicolas Sansarlat)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Ballo Francese chiamato Petit Rinense (Arr. for Wind Ensemble and Percussion by Nicolas Sansarlat) by Giovanni Ambrosio, Into the Winds to be Allegro (fast, quick, and bright) because the track has a tempo of 136 テンポ, a half-time of 68テンポ, and a double-time of 272 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ardo, si, ma non t'amo | Orlande de Lassus, Harmonia Recorder Ensemble | C Major | 0 | 8B | 63 BPM | ||
Fantazia of foure parts | Orlando Gibbons, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 94 BPM | ||
Pièces de Luth, Livre I in A Minor: No. 1, Prelude | Charles Mouton, Hopkinson Smith | A♭ Minor | 1 | 1A | 64 BPM | ||
M. George Whitehead his Almand | John Dowland, Jadran Duncumb, Accademia Strumentale Italiana, Alberto Rasi | B♭ Major | 1 | 6B | 116 BPM | ||
Manuscrit Panmure: Gigue in D Minor | Marin Marais, Noémie Lenhof, Guillaume Haldenwang, Alice Trocellier, Nicolas Wattinne | D♭ Major | 0 | 3B | 78 BPM | ||
Ricercar | Marco Dall'Aquila, Shirley Rumsey | F Major | 0 | 7B | 165 BPM | ||
Suite in C Major: I. Preludio | Francesco Corbetta, Pierre Pitzl, Private Musicke | B Major | 0 | 1B | 84 BPM | ||
Brando dicho el Melo | Andrea Falconieri, La Ritirata, Josetxu Obregon | C Major | 6 | 8B | 70 BPM | ||
In Nomine à 5 I | John Bull, Fretwork | C Minor | 1 | 5A | 92 BPM | ||
Sonata in G Minor: III. Corrente | Martino Bitti, La Camerata de Paris | D Major | 7 | 10B | 105 BPM |