Felix Mendelssohn, Munich Chamber Orchestra, Alexander Liebreich's 'Symphony No. 4 in A Major, Op. 90, "Italian": IV. Saltarello. Presto' came out on May 29, 2015. With this song being about 5 minutes long, at 5:22, "Symphony No. 4 in A Major, Op. 90, "Italian": IV. Saltarello. Presto" by Felix Mendelssohn, Munich Chamber Orchestra, Alexander Liebreich is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Felix Mendelssohn, Munich Chamber Orchestra, Alexander Liebreich's "Mendelssohn: A Midsummer Night's Dream & Symphony No. 4" album is number 15 out of 15. In terms of popularity, Symphony No. 4 in A Major, Op. 90, "Italian": IV. Saltarello. Presto is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Symphony No. 4 in A Major, Op. 90, "Italian": IV. Saltarello. Presto by Felix Mendelssohn, Munich Chamber Orchestra, Alexander Liebreich to be Andante (at a walking pace) because the track has a tempo of 100 テンポ, a half-time of 50テンポ, and a double-time of 200 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Piano Trio No. 5 in E Major, Op. 83: II. Andante | Johann Nepomuk Hummel, Borodin Trio | F♯ Minor | 0 | 11A | 172 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Nocturne No. 4 in A Major, H.36 | John Field, Elizabeth Joy Roe | A Major | 1 | 11B | 68 BPM | ||
Études-tableaux, Op. 39: No. 5, Appassionato | Sergei Rachmaninoff, Boris Giltburg | E♭ Minor | 1 | 2A | 66 BPM | ||
Triumphal Symphony in E Major, Op. 6: II. Largo maestoso | Bedřich Smetana, Berlin Radio Symphony Orchestra, Darrell Ang | G Major | 1 | 9B | 115 BPM | ||
Polonaise No. 4 in C Minor, Op. 40, No. 2 | Frédéric Chopin, Rafał Blechacz | A♭ Major | 1 | 4B | 132 BPM | ||
Lieder ohne Worte, Op. 62: No. 2 Allegro con fuoco in B Flat, MWV U 181 | Felix Mendelssohn, Daniel Barenboim | B♭ Major | 3 | 6B | 75 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 22, R. 190: 3. Presto | Camille Saint-Saëns, Pascal Rogé, Royal Philharmonic Orchestra, Charles Dutoit | G Minor | 2 | 6A | 102 BPM | ||
Haydn: Symphony No. 104 in D Major, Hob. I:104 "London": I. Adagio - Allegro | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | D Major | 2 | 10B | 119 BPM |