"Polonaise No. 4 in C Minor, Op. 40, No. 2" by Frédéric Chopin, Rafał Blechacz was released on January 1, 2013. Since Polonaise No. 4 in C Minor, Op. 40, No. 2 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 7 in Chopin: Polonaises by Frédéric Chopin, Maurizio Pollini, Frédéric Chopin, Rafał Blechacz. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Polonaise No. 4 in C Minor, Op. 40, No. 2's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Polonaise No. 4 in C Minor, Op. 40, No. 2 by Frédéric Chopin, Rafał Blechacz is Allegro (fast, quick, and bright), since this song has a tempo of 132 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint-Saëns: Allegro appassionato, Op. 70 | Camille Saint-Saëns, Bertrand Chamayou | D Major | 1 | 10B | 101 BPM | ||
Sonata in A Minor, L 241 | Domenico Scarlatti, Vladimir Horowitz | E Minor | 0 | 9A | 79 BPM | ||
Debussy: Children's Corner, CD 119, L. 113: No. 3, Serenade for the Doll | Claude Debussy, Monique Haas | A♭ Major | 0 | 4B | 73 BPM | ||
Dvořák: Symphony No. 5 in F Major, Op. 76, B. 54: I. Allegro ma non troppo | Antonín Dvořák, Mariss Jansons, Oslo Philharmonic Orchestra | C Minor | 2 | 5A | 99 BPM | ||
12 Etudes d'exécution transcendante, S.139: No.6 Vision (Lento) | Franz Liszt, Daniil Trifonov | G Major | 1 | 9B | 89 BPM | ||
Kinderszenen, Op.15: 10. Fast zu ernst | Robert Schumann, Martha Argerich | A♭ Minor | 0 | 1A | 67 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Keyboard Sonata in B-Flat Major, Kk. 529 (L. 327): Allegro | Domenico Scarlatti, Ivo Pogorelich | B♭ Major | 2 | 6B | 178 BPM | ||
Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM | ||
12 Études, Op. 25: No. 6 in G-Sharp Minor "Thirds" | Frédéric Chopin, Maurizio Pollini | E♭ Major | 1 | 5B | 71 BPM |