Johann Sebastian Bach, Taverner Players, Andrew Parrott, Taverner Consort, Taverner Choir's 'Bach, JS: Herz und Mund und Tat und Leben, BWV 147: No. 10, Choral. "Jesus bleibet meine Freude"' came out on 1987. The duration of Bach, JS: Herz und Mund und Tat und Leben, BWV 147: No. 10, Choral. "Jesus bleibet meine Freude" is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Bach, JS: Herz und Mund und Tat und Leben, BWV 147: No. 10, Choral. "Jesus bleibet meine Freude"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 18 in A Baroque Festival by Ludwig van Beethoven, András Schiff, Andrew Parrott. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bach, JS: Herz und Mund und Tat und Leben, BWV 147: No. 10, Choral. "Jesus bleibet meine Freude" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS: Herz und Mund und Tat und Leben, BWV 147: No. 10, Choral. "Jesus bleibet meine Freude" by Johann Sebastian Bach, Taverner Players, Andrew Parrott, Taverner Consort, Taverner Choir is Andante (at a walking pace), since this song has a tempo of 78 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Magnificat in D Major, BWV 243: Fecit potentiam (Soprano, Alto, Tenor, Bass) | Johann Sebastian Bach, Christine Schäfer, Ibolya Verebics, Ingeborg Danz, James Taylor, Thomas Quasthoff, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | D Major | 4 | 10B | 112 BPM | ||
Telemann: Jesus liegt in letzten Zügen, TWV 1:983: No. 3, Arie. "Mein liebster Heiland" | Georg Philipp Telemann, Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester | A♭ Major | 0 | 4B | 83 BPM | ||
St. Matthew Passion, BWV 244: Pt. I: Chorale. Erkenne mich, mein Huter (Chorus) | Johann Sebastian Bach, Magda Kalmár, Julia Hamari, Zeger Vandersteene, Dénes Gulyás, Ernst-Gerold Schramm, Jeunesses Musicales Chorus, Franz Liszt Chamber Orchestra, Frigyes Sándor | D Major | 1 | 10B | 88 BPM | ||
Vespro della beata Vergine (1610): Psalmus III - Psalmus 121:Laetatus sum | Claudio Monteverdi, Andrew Parrott, The Taverner Consort, Choir & Players | G Minor | 2 | 6A | 71 BPM | ||
Vivaldi: Magnificat in G Minor, RV 610b: IV. Fecit potentiam | Antonio Vivaldi, Andrew Parrott, Taverner Players, Nancy Argenta, Taverner Choir | G Minor | 2 | 6A | 77 BPM | ||
Sonata for Flauto Traverso and Basso Continuo in E Major, BWV 1035: II. Allegro | Richard Egarr, Johann Sebastian Bach, Viola de Hoog, Martin Root | D Major | 2 | 10B | 103 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Ronald Brautigam, Norrköping Symphony Orchestra, Andrew Parrott | B Major | 0 | 1B | 128 BPM | ||
Handel: Messiah, HWV 56, Pt. 2, Scene 1: Chorus. "He Trusted in God" | George Frideric Handel, Andrew Parrott, Taverner Choir, Taverner Players | B Minor | 2 | 10A | 114 BPM | ||
Vespro della beata Vergine (1610): Concerto - Audi coelum | Claudio Monteverdi, Andrew Parrott, The Taverner Consort, Choir & Players | C Major | 1 | 8B | 66 BPM | ||
Jesu, meine Freude, BWV 227: I. Choral "Jesu, meine Freude" | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Dorothee Mields, Damien Guillon, Thomas Hobbs, Peter Kooij, Zsuzsi Tóth | E♭ Minor | 1 | 2A | 189 BPM |