"Concerto In Slendro: II. Molto adagio" by Lou Harrison, Jerome Neff, Daniel Kobialka, James Barbagallo, Machiko Kobialka, Patricia Jennerjohn, Don Marconi, Robert Hughes was released on January 1, 2006. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Lou Harrison, Gamelan Sekar Kembar, Paul Price's "Lou Harrison: Chamber & Gamelan Works" album is number 2 out of 14. Concerto In Slendro: II. Molto adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto In Slendro: II. Molto adagio by Lou Harrison, Jerome Neff, Daniel Kobialka, James Barbagallo, Machiko Kobialka, Patricia Jennerjohn, Don Marconi, Robert Hughes to be Andante (at a walking pace) because the track has a tempo of 77 テンポ, a half-time of 38テンポ, and a double-time of 154 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The New Albion Chorale - Reprise | Terry Riley | F♯ Minor | 0 | 11A | 204 BPM | ||
Shaker Loops (version for string orchestra): A Final Shaking | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 78 BPM | ||
Suite No. 2 for Strings (Arr. J. Schneider for Guitar, Harp & Percussion): II. Waltz for Evelyn Hinrichsen | Lou Harrison, Just Strings | C Major | 1 | 8B | 79 BPM | ||
Sonatas and Interludes for Prepared Piano: Sonata No. 4 | John Cage, Boris Berman | G Minor | 3 | 6A | 68 BPM | ||
G Song (arr. D. Bukowski for marimba and vibraphone) | Terry Riley, Dominik Bukowski, Kasia Kadłubowska | G Minor | 1 | 6A | 116 BPM | ||
Hidden: II. Our | Anna Thorvaldsdottir, Justin Dehart | D Minor | 0 | 7A | 85 BPM | ||
Rocks | Daniel Gaudreault, The Ambient Sounds | C Major | 1 | 8B | 75 BPM | ||
Piano Concerto: III. Largo | Lou Harrison, Keith Jarrett, Naoto Otomo, New Japan Philharmonic Orchestra | C Major | 0 | 8B | 79 BPM | ||
String Quartet Set: I. Variations | Lou Harrison, Joan Jeanrenaud, John Sherba, David Harrington, Hank Dutt, Paul Price | A Minor | 1 | 8A | 86 BPM | ||
Forgotten Dreams #2 | Ernst Reijseger | G Major | 1 | 9B | 123 BPM |