Lou Harrison, Just Strings made "Suite No. 2 for Strings (Arr. J. Schneider for Guitar, Harp & Percussion): II. Waltz for Evelyn Hinrichsen" available on January 1, 2000. With Suite No. 2 for Strings (Arr. J. Schneider for Guitar, Harp & Percussion): II. Waltz for Evelyn Hinrichsen being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Just Strings's "Just West Coast" album is number 2 out of 24. On top of that, United States appears to be the country where this track was created. Suite No. 2 for Strings (Arr. J. Schneider for Guitar, Harp & Percussion): II. Waltz for Evelyn Hinrichsen is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Suite No. 2 for Strings (Arr. J. Schneider for Guitar, Harp & Percussion): II. Waltz for Evelyn Hinrichsen by Lou Harrison, Just Strings to be Andante (at a walking pace) because the track has a tempo of 79 テンポ, a half-time of 40テンポ, and a double-time of 158 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Crossing the Sands | Pauline Oliveros | A Major | 1 | 11B | 78 BPM | ||
admirable | Quiet Wonder | C Major | 0 | 8B | 122 BPM | ||
Air | Lou Harrison | G Major | 0 | 9B | 120 BPM | ||
Mikrokosmos, Vol. 6, Sz. 107: No. 149, 6 Dances in Bulgarian Rhythm (Arr. B. Wulff for Percussion Ensemble) | Béla Bartók, Špela Mastnak, Yuka Ohta, Max Riefer, Deutsche Radio Philharmonie, Pietari Inkinen, Stephan Böhnlein, Martin Frink, Jochen Ille, Michael Gärtner | D♭ Major | 2 | 3B | 74 BPM | ||
Entr'acte | Caroline Shaw, Attacca Quartet | D Minor | 0 | 7A | 128 BPM | ||
Allegro Scherzino : Flying - Chamber Ensemble Version | José Manuel Ortega Caballo | F♯ Minor | 4 | 11A | 87 BPM | ||
Reich: Nagoya Marimbas, for 2 Marimbas | Steve Reich, Colin Currie, Sam Walton | A Minor | 3 | 8A | 103 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 81 BPM | ||
Suite for Symphonic Strings: 2. Chorale "Et in Arcadio Ego" | Lou Harrison, American Composers Orchestra, Dennis Russell Davies | B Minor | 0 | 10A | 87 BPM | ||
4 Kleine Stücke: I. Timoroso | Franz Schreker, Staatsphilharmonie Rheinland-Pfalz, Christopher Ward | D Major | 1 | 10B | 89 BPM |