Johann Sebastian Bach, Sibylla Rubens, Eva Kirchner, James Taylor, Matthias Goerne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling made "Was mir behagt, ist nur die muntre Jagd!, BWV 208, "Hunt Cantata": Aria: Willst du dich nicht mehr ergotzen (Tenor)" available on January 1, 2000. With this song being about 5 minutes long, at 4:49, "Was mir behagt, ist nur die muntre Jagd!, BWV 208, "Hunt Cantata": Aria: Willst du dich nicht mehr ergotzen (Tenor)" by Johann Sebastian Bach, Sibylla Rubens, Eva Kirchner, James Taylor, Matthias Goerne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 21 in Bach, J.S.: Secular Cantatas, Bwv 208 and Bwv 209 by Johann Sebastian Bach, Helmuth Rilling. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Was mir behagt, ist nur die muntre Jagd!, BWV 208, "Hunt Cantata": Aria: Willst du dich nicht mehr ergotzen (Tenor) is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Was mir behagt, ist nur die muntre Jagd!, BWV 208, "Hunt Cantata": Aria: Willst du dich nicht mehr ergotzen (Tenor) by Johann Sebastian Bach, Sibylla Rubens, Eva Kirchner, James Taylor, Matthias Goerne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling is Presto (very, very fast), since this song has a tempo of 189 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Menuet in G Minor (trans. W. Kempff) | Wilhelm Kempff, George Frideric Handel, Idil Biret | G Minor | 0 | 6A | 73 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Sonate pour arpeggione [violoncelle] et piano en la mineur, D. 821: II. Adagio | Franz Schubert, Alexandre Tharaud, Jean-Guihen Queyras | E Major | 0 | 12B | 91 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Glenn Gould | E Minor | 0 | 9A | 130 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM |