Anonymous, Obsidienne Vocal Ensemble, Obsidienne Instrumental Ensemble, Emmanuel Bonnardot's 'Adieu mes amours' came out on April 1, 2011. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Obsidienne Instrumental Ensemble, Emmanuel Bonnardot's "Josquin Desprez: Missa 'L'homme armé sexti toni'" album is number 1 out of 17. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Adieu mes amours is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Adieu mes amours by Anonymous, Obsidienne Vocal Ensemble, Obsidienne Instrumental Ensemble, Emmanuel Bonnardot to be Andante (at a walking pace) because the track has a tempo of 102 テンポ, a half-time of 51テンポ, and a double-time of 204 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kyrie XI, A (Modo I) | Unknown, Coro De Monjes Del Monasterio De Silos | D Major | 1 | 10B | 76 BPM | ||
A Marie, Mère de Dieu, Antienne Quomodo | Dom Le Feuvre, Congrégation de Solesme, Choeur des Bénédictins de l'Abbaye de Kergonan | E Minor | 1 | 9A | 95 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XII. Amen and with Thy Spirit | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Minor | 1 | 7A | 75 BPM | ||
Collectio: Veneranda nobis | Guillaume de Machaut, Dominique Vellard | D Minor | 1 | 7A | 99 BPM | ||
Resonemus hoc natali | Anon. St. Martial, Anonymous, Theatre Of Voices, Paul Hillier | F♯ Minor | 1 | 11A | 187 BPM | ||
We Praise Thee, O God No. 4 in G Major | Lege Artis Chamber Choir, Boris Abalyan | A Major | 1 | 11B | 173 BPM | ||
Credo II | Probandi Benedittini Di San Giovanni In Parma | G Minor | 1 | 6A | 94 BPM | ||
O Virgo splendens (canon a 3 & monodic) | Jordi Savall | A Minor | 3 | 8A | 74 BPM | ||
Terpsichore*: Bransle Double 3 | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 77 BPM | ||
Saint Sacrement : Panis Angelicus | Anonymous, Choeur des moines bénédictins de l'Abbaye Santo Domingo de Silos | B♭ Minor | 2 | 3A | 106 BPM |