Fritz Wunderlich's 'Granada' came out on 2017. The duration of Granada is about 3 minutes long, at 3:10. Based on our data, "Granada" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 35 in the song's album "O sole mio". In this album, this song's track order is #23. The popularity of Granada is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Granada by Fritz Wunderlich having a テンポ of 160 with a half-time of 80 テンポ and a double-time of 320 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with running. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La traviata / Act 2: "Ah! Dite alla giovine" | Giuseppe Verdi, Anna Netrebko, Thomas Hampson, Wiener Philharmoniker, Carlo Rizzi | E♭ Major | 1 | 5B | 170 BPM | ||
Bach, JS: Johannes-Passion, BWV 245, Pt. 1: No. 10, Rezitativ. "Derselbige Jünger war dem Hohenpriester bekannt" | Johann Sebastian Bach, Karl Forster, Dietrich Fischer-Dieskau, Fritz Wunderlich, Horst Schäfertöns, Karl Christian Kohn, Berliner Symphoniker | B♭ Major | 5 | 6B | 113 BPM | ||
Serse, HWV 40, Act I: Frondi tenere e belle ... Ombra mai fù | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 94 BPM | ||
Der Kuss, Op. 128 | Ludwig van Beethoven, Fritz Wunderlich, Hubert Giesen | A Major | 2 | 11B | 131 BPM | ||
Rusalka, Op. 114 / Act 3: Milácku, znás mne, znás? | Antonín Dvořák, Renée Fleming, Ben Heppner, Czech Philharmonic Orchestra, Sir Charles Mackerras | D♭ Major | 1 | 3B | 62 BPM | ||
Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D Major | 1 | 10B | 131 BPM | ||
Freunde, das Leben ist lebenswert | Fritz Wunderlich | D Major | 4 | 10B | 76 BPM | ||
Rossini: Stabat Mater: I. Stabat Mater dolorosa (Soprano, Mezzo-soprano, Tenor, Bass, Chorus) | Gioachino Rossini, Anna Netrebko, Joyce DiDonato, Lawrence Brownlee, Ildebrando D'Arcangelo, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Coro dell'Accademia Nazionale Di Santa Cecilia, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Minor | 0 | 6A | 139 BPM | ||
Nur wer die Sehnsucht kennt | Pyotr Ilyich Tchaikovsky, Fritz Wunderlich, Gerhard Becker | F Major | 2 | 7B | 107 BPM | ||
Die schweigsame Frau, Op. 80, TrV 265: Hah! Mir fällt etwas ein! | Richard Strauss, Bavarian Radio Symphony Orchestra, Heinz Wallberg, Hermann Prey, Ingeborg Hallstein, Eva Maria Rogner, Marianna Radev, Lilian Benningsen, Fritz Wunderlich, Josef Knapp, Hans Hotter, Karl Christian Kohn, Karl Hoppe | F♯ Major | 2 | 2B | 89 BPM |