"Concerto No. 6, Op. 7: Concerto a cinque No. 6, Op. 7: II. Adagio" by Tomaso Albinoni, Paul Dombrecht, Il Fondamento was released on May 7, 2009. The duration of Concerto No. 6, Op. 7: Concerto a cinque No. 6, Op. 7: II. Adagio is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Concerto No. 6, Op. 7: Concerto a cinque No. 6, Op. 7: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 24 in Albinoni: Concerti con Oboe by Tomaso Albinoni, Paul Dombrecht, Il Fondamento. Concerto No. 6, Op. 7: Concerto a cinque No. 6, Op. 7: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto No. 6, Op. 7: Concerto a cinque No. 6, Op. 7: II. Adagio by Tomaso Albinoni, Paul Dombrecht, Il Fondamento is Andante (at a walking pace), since this song has a tempo of 87 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Trio Sonatas, Op. 1, Sonata X in F Minor, Talm I, 10: I. Grave | Tomaso Albinoni, L'Arte dell' Arco, Federico Guglielmo | B♭ Major | 3 | 6B | 111 BPM | ||
Clarinet Concerto in B-Flat Major: Andante sostenuto | Gaetano Donizetti, Camerata De Budapest, Laszlo Kovacs | B♭ Minor | 0 | 3A | 69 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM | ||
Concerto for 2 Mandolins, Strings and Continuo in G Major, RV. 532: I. Allegro | Antonio Vivaldi, James Tyler, Robin Jeffrey, The English Concert, Trevor Pinnock | A♭ Minor | 3 | 1A | 80 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Sinfonia for Strings in G major, RV 149: I. Allegro molto | Karoly Botvay | D Major | 2 | 10B | 125 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM | ||
Concerto A 5 in D Major, Op. 7, No. 6 for Oboe, Strings and Continuo: 1. Allegro | Tomaso Albinoni, Heinz Holliger, Hans Elhorst, Camerata Bern, Alexander van Wijnkoop | D Major | 4 | 10B | 123 BPM | ||
Trumpet Concerto in D: 2. Allegro moderato | Leopold Mozart, Manuel Blanco, Josep Pons, Orquesta Nacional De España, Eriko Takezawa | D Major | 1 | 10B | 97 BPM |