Tomaso Albinoni, Heinz Holliger, Hans Elhorst, Camerata Bern, Alexander van Wijnkoop's 'Concerto A 5 in D Major, Op. 7, No. 6 for Oboe, Strings and Continuo: 1. Allegro' came out on January 1, 1979. The duration of Concerto A 5 in D Major, Op. 7, No. 6 for Oboe, Strings and Continuo: 1. Allegro is about 3 minutes long, at 3:00. Based on our data, "Concerto A 5 in D Major, Op. 7, No. 6 for Oboe, Strings and Continuo: 1. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 24 in Albinoni: Oboe Concertos by Tomaso Albinoni, Heinz Holliger, Hans Elhorst, Camerata Bern, Alexander van Wijnkoop. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Concerto A 5 in D Major, Op. 7, No. 6 for Oboe, Strings and Continuo: 1. Allegro's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Concerto A 5 in D Major, Op. 7, No. 6 for Oboe, Strings and Continuo: 1. Allegro by Tomaso Albinoni, Heinz Holliger, Hans Elhorst, Camerata Bern, Alexander van Wijnkoop is Allegro (fast, quick, and bright), since this song has a tempo of 123 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In F Minor, Op. 1, No. 8: III. Andante | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Minor | 1 | 8A | 99 BPM | ||
Concerto in G Major for Flute, Strings, and Basso Continuo: II. Adagio | Johann Stamitz, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Major | 0 | 11B | 71 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Albinoni: Concerto for Two Oboes in D Major, Op. 9 No. 12: III. Allegro | Tomaso Albinoni, Claudio Scimone, Jacques Chambon, Pierre Pierlot, I Solisti Veneti | D Major | 3 | 10B | 104 BPM | ||
Concerto for Cello, Strings and Clavichord in G Major: Concerto for Cello, Strings and Clavichord in G Major: II. Adagio | Georg Matthias Monn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | E♭ Major | 1 | 5B | 86 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: I. Allegro con brio | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 89 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Cello Concerto in A Minor, Wq. 170: III. Allegro assai | Carl Philipp Emanuel Bach, Julian Steckel, Stuttgart Chamber Orchestra, Susanne Von Gutzeit | A Minor | 2 | 8A | 169 BPM | ||
Overture No. 6 in B-Flat Major: I. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Minor | 3 | 11A | 178 BPM | ||
Symphony in D Major, Op. 3, No. 2: II. Andantino | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 0 | 9B | 113 BPM |