"Dies iræ, S. 31: Quærens me" by Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé was released on February 4, 2022. The duration of Dies iræ, S. 31: Quærens me is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Dies iræ, S. 31: Quærens me's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé's "Michel-Richard de Lalande: Grands Motets, Dies irae, Miserere, Veni creator" album is number 7 out of 38. On top of that, France appears to be the country where this track was created. Dies iræ, S. 31: Quærens me is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dies iræ, S. 31: Quærens me by Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé to be Andante (at a walking pace) because the track has a tempo of 85 テンポ, a half-time of 42テンポ, and a double-time of 170 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Carnaval du Parnasse, Prologue Scene 4: Air. Le printemps seul nous procure (Clarice) | Jean-Joseph Cassanéa De Mondonville, Hasnaa Bennani, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | D Major | 7 | 10B | 92 BPM | ||
Purcell: The Fairy Queen, Z. 629, Act II: Echo | Henry Purcell, Amsterdam Baroque Orchestra, Ton Koopman | B Minor | 0 | 10A | 78 BPM | ||
Circé, Prologue Scene 2: Gigue pour les Nymphes et les Dieux des eaux | Henri Desmarets, Boston Early Music Festival Orchestra, Robert Mealy | C Major | 1 | 8B | 100 BPM | ||
Un Sarao de la Chacona | The Royal Wind Music, Capella Sancta María, Alfred Fernández | D♭ Major | 0 | 3B | 145 BPM | ||
Ecce Nunc Benedicite, S.8: III. Benedicat te Dominus ex Sion | Michel Richard Delalande, Le Poème Harmonique, Ensemble Aedes, Vincent Dumestre, Emmanuelle De Negri, Dagmar Saskova, Sean Clayton, Cyril Auvity, André Morsch | F♯ Major | 1 | 2B | 75 BPM | ||
Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": X. Canarie. Die lustigen Bots Leute | Georg Philipp Telemann, Robert King, The King's Consort | B Major | 1 | 1B | 110 BPM | ||
Airs for the Summer: Heliotrope: I. Siciliana: Affettuoso | James Oswald, The Broadside Band | D Major | 2 | 10B | 77 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: I. Fantazie | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Lalande: Troisième Caprice: I. Premier air. Gracieusement | Michel Richard Delalande, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | D Major | 0 | 10B | 120 BPM | ||
Stabat Mater in F Minor, P. 77: IV. Quae moerebat et dolebat | Giovanni Battista Pergolesi, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset | C Minor | 1 | 5A | 58 BPM |