Johann Christian Bach, Philippe Jaroussky, Jérémie Rhorer, Le Cercle De L'Harmonie's 'Bach, JC: Temistocle, T. 238: "Ch'io parta"' came out on September 28, 2009. With this song being about 5 minutes long, at 5:10, "Bach, JC: Temistocle, T. 238: "Ch'io parta"" by Johann Christian Bach, Philippe Jaroussky, Jérémie Rhorer, Le Cercle De L'Harmonie is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Johann Christian Bach, Philippe Jaroussky, Le Cercle De L'Harmonie's "J.C. Bach "La Dolce Fiamma" - Forgotten castrato arias" album is number 14 out of 14. Based on our statistics, Bach, JC: Temistocle, T. 238: "Ch'io parta"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bach, JC: Temistocle, T. 238: "Ch'io parta" by Johann Christian Bach, Philippe Jaroussky, Jérémie Rhorer, Le Cercle De L'Harmonie to be Allegro (fast, quick, and bright) because the track has a tempo of 147 テンポ, a half-time of 74テンポ, and a double-time of 294 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | E Minor | 0 | 9A | 76 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: I. Allegro | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | C Major | 0 | 8B | 124 BPM | ||
Overture in F Major, Op. 8, No. 3: II. Andante | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 0 | 6B | 95 BPM | ||
Bach, CPE: Flute Concerto in A Minor, Wq. 166: I. Allegro assai | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | A Minor | 2 | 8A | 87 BPM | ||
Bassoon Concerto in F, Op.75: 1. Allegro ma non troppo | Carl Maria von Weber, Milan Turkovic, Bamberg Symphony, Hanns-Martin Schneidt | F Major | 1 | 7B | 128 BPM | ||
Sinfonia in F major, F. 67: IV. Menuetto I-II | Wilhelm Friedemann Bach, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | F Major | 0 | 7B | 122 BPM | ||
String Quintet in F Major, Op. 20, No. 3, G. 291: I. Prestissimo | Luigi Boccherini, Quintetto Boccherini | F Major | 2 | 7B | 161 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 93 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM |