Johann Strauss II, Jonas Kaufmann, Rachel Willis-Sørensen, Ádám Fischer's 'Wiener Blut, Wiener Blut (From "Wienerblut")' came out on October 11, 2019. Since Wiener Blut, Wiener Blut (From "Wienerblut") is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wien by Jonas Kaufmann, Ádám Fischer, Wiener Philharmoniker. The song's track number on the album is #5 out of 19 tracks. Based on our data, United States was the country where this track was produced or recorded. Wiener Blut, Wiener Blut (From "Wienerblut") is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Wiener Blut, Wiener Blut (From "Wienerblut") by Johann Strauss II, Jonas Kaufmann, Rachel Willis-Sørensen, Ádám Fischer has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Wiener Blut, Wiener Blut (From "Wienerblut") being at 84 テンポ, the half-time would be 42 テンポ with a double-time of 168 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Unter Donner und Blitz, Polka, Op.324 | Johann Strauss II, Wiener Philharmoniker, Herbert von Karajan | G Major | 5 | 9B | 159 BPM | ||
Sei mir gegrüsst, Du holdes Venezia (From "Eine Nacht in Venedig") | Johann Strauss II, Jonas Kaufmann, Ádám Fischer | A♭ Major | 2 | 4B | 145 BPM | ||
Turandot: Tu, che di gel sei cinta | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | B Major | 2 | 1B | 87 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "Una voce poco fa" (Rosina) | Gioachino Rossini, Elsa Dreisig, Michael Schønwandt, Orchestre national de Montpellier Occitanie | F♯ Major | 1 | 2B | 81 BPM | ||
La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, Roberto Alagna, Angela Gheorghiu, Simon Keenlyside, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | C Major | 1 | 8B | 83 BPM | ||
Wiener Blut: "Wünsch guten Morgen, Herr von Pepi..." - "Drauss in der Hietzing gibt's a Remasuri..." | Johann Strauss II, Chor und Orchester der Berliner Städtische Oper, Hans Lenzer, Rita Streich, Irma Beilke, Traute Richter, Sebastian Hauser, Fritz Hoppe, Klaus Günter Neumann, Leopold Clam | B♭ Major | 5 | 6B | 153 BPM | ||
Dein ist mein ganzes Herz | Rudolf Schock | D♭ Major | 3 | 3B | 46 BPM | ||
Roméo et Juliette, Acte II: "L'amour... Ah! Lève-toi, soleil!" | Charles Gounod, Jonas Kaufmann, Bertrand de Billy | F Major | 1 | 7B | 80 BPM | ||
Phonix, Op. 105: Phonix-Marsch, Op. 105 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Michael Dittrich | E♭ Major | 5 | 5B | 108 BPM | ||
Die Fledermaus / Act II: Nr. 10 Csárdás: "Klänge der Heimat" | Johann Strauss II, Julia Varady, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 82 BPM |