Joseph Haydn, David Hill, Winchester Cathedral Choir, Brandenburg Consort's 'Harmoniemesse, Hob.XXII:14: IV. Sanctus' had a release date set for October 1, 1991. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Harmoniemesse, Hob.XXII:14: IV. Sanctus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joseph Haydn, Winchester Cathedral Choir, Brandenburg Consort, David Hill's "Haydn: Harmoniemesse & Little Organ Mass" album is number 14 out of 17. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Harmoniemesse, Hob.XXII:14: IV. Sanctus is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Harmoniemesse, Hob.XXII:14: IV. Sanctus by Joseph Haydn, David Hill, Winchester Cathedral Choir, Brandenburg Consort to be Moderato (at a moderate speed) because the track has a tempo of 113 テンポ, a half-time of 56テンポ, and a double-time of 226 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet in E-Flat Major, Op. 2, No. 4, Ben. 310: III. Tempo di Minuetto | Ignaz Pleyel, Enso String Quartet | A Minor | 1 | 8A | 116 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Life and Works of Brahms: Trio for Horn, Violin and Piano, Op. 40 (Finale) | Jeremy Siepmann | E♭ Major | 3 | 5B | 99 BPM | ||
Sinfonia in F major, F. 67: IV. Menuetto I-II | Wilhelm Friedemann Bach, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | F Major | 0 | 7B | 122 BPM | ||
Serenade No. 1 in D Major, Op. 11: IVa. Menuetto I | Johannes Brahms, Gävle Symphony Orchestra, Jaime Martin | B♭ Minor | 0 | 3A | 60 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
The Creation, Hob.XXI,2: Pt. 1, In the Beginning | Joseph Haydn, Handel & Haydn Society, Jeremy Ovenden, Matthew Brook, Harry Christophers | B♭ Minor | 0 | 3A | 103 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Sextet in E-Flat Major, Op. 81b: III. Rondo | Ludwig van Beethoven, János Keveházi, Jeno Kevehazi, Ildiko Hegyi, Peter Popa, Gyözö Máthé, Péter Szabó | E♭ Major | 1 | 5B | 134 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: 3. Allegro marziale animato | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | E♭ Major | 3 | 5B | 71 BPM |