Eckart Runge, Jacques Ammon's 'Adelaide (From Lieder, Op. 46) - Arr. for Cello and Piano' came out on August 13, 2021. With this song being about 5 minutes long, at 5:23, "Adelaide (From Lieder, Op. 46) - Arr. for Cello and Piano" by Eckart Runge, Jacques Ammon is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Revolutionary Icons". In this album, this song's track order is #4. Based on our statistics, Adelaide (From Lieder, Op. 46) - Arr. for Cello and Piano's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Adelaide (From Lieder, Op. 46) - Arr. for Cello and Piano by Eckart Runge, Jacques Ammon having a テンポ of 149 with a half-time of 74 テンポ and a double-time of 298 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Irish dance "Go to the Devil" | John Field, Miceal O'Rourke | C Major | 2 | 8B | 111 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Finghin Collins | D♭ Minor | 0 | 12A | 170 BPM | ||
Aria - From "Bachianas Brasileiras" | Heitor Villa-Lobos, Eckart Runge, Jacques Ammon | D Minor | 0 | 7A | 143 BPM | ||
Quintetto in Do Maggiore La Musica Notturna Delle Strade Di Madrid Op. 30, No. 6, G. 324: Minuetto Dei Ciechi | Luigi Boccherini, Jordi Savall, Rolf Lislevand, Le Concert Des Nations | C Major | 1 | 8B | 123 BPM | ||
Arpeggione Sonata, D. 821: II. Adagio | Franz Schubert, Anne Gastinel, Claire Désert | E Major | 0 | 12B | 73 BPM | ||
Quintetto in Do Maggiore La Musica Notturna Delle Strade Di Madrid Op. 30, No. 6, G. 324: Passa Calle - Allegro Vivo | Luigi Boccherini, Jordi Savall, Rolf Lislevand, Le Concert Des Nations | G Major | 1 | 9B | 102 BPM | ||
String Quintet in C Major, D. 956 / Op. Posth. 163 "Cello Quintet": II. Adagio | Franz Schubert, Quartetto di Cremona, Eckart Runge | F♯ Minor | 1 | 11A | 73 BPM | ||
Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo – Allegro | Franz Joseph Haydn, Pavel Gomziakov, Erik Heide, Orquestra Gulbenkian | D Major | 1 | 10B | 137 BPM | ||
La Muerte del angel (arr. E. Runge and J. Ammon) | Astor Piazzolla, Eckart Runge, Jacques Ammon, Cello Project | A Minor | 2 | 8A | 83 BPM | ||
Piazzolla: Cuatro estaciones porteñas: No. 1 Verano Porteño (Tempo di Tango) | Artemis Quartet, Jacques Ammon | A Minor | 2 | 8A | 117 BPM |