Artemis Quartet, Jacques Ammon's 'Piazzolla: Cuatro estaciones porteñas: No. 1 Verano Porteño (Tempo di Tango)' came out on May 11, 2009. Since Piazzolla: Cuatro estaciones porteñas: No. 1 Verano Porteño (Tempo di Tango) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "The Piazzolla Project". In this album, this song's track order is #5. In terms of popularity, Piazzolla: Cuatro estaciones porteñas: No. 1 Verano Porteño (Tempo di Tango) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piazzolla: Cuatro estaciones porteñas: No. 1 Verano Porteño (Tempo di Tango) by Artemis Quartet, Jacques Ammon having a テンポ of 117 with a half-time of 58 テンポ and a double-time of 234 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bruch: 8 Pieces for Clarinet, Viola and Piano, Op. 83: III. Andante con moto | Max Bruch, Marin Chapoutot, Gautier Capuçon, Melvil Chapoutot | D♭ Minor | 1 | 12A | 73 BPM | ||
Piano Concerto No. 21 in C Major, K. 467: III. Allegro vivace assai | Wolfgang Amadeus Mozart, Friedrich Gulda, Wiener Philharmoniker, Claudio Abbado | A Major | 2 | 11B | 81 BPM | ||
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation IV - Andante grazioso - Un poco animato | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | D Major | 1 | 10B | 117 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi Adagio | Franz Liszt, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | A♭ Minor | 0 | 1A | 165 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: III. Allegro marziale animato | Franz Liszt, Lang Lang, Valery Gergiev, Wiener Philharmoniker | E♭ Major | 2 | 5B | 80 BPM | ||
Piano Quartet In E Flat, Op.87, B. 162: 1. Allegro con fuoco | Antonín Dvořák, Menahem Pressler, Emerson String Quartet | F♯ Major | 1 | 2B | 93 BPM | ||
String Quartet No. 1 in A Major: III. Scherzo: Prestissimo | Alexander Borodin, Budapest Haydn Quartet | C Major | 2 | 8B | 109 BPM | ||
Haydn: String Quartet in D Minor, Op. 76 No. 2, Hob. III:76 "Fifths": III. Menuetto | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Sonata in G Minor for Violin & Piano, L. 140: 3. Finale (Très animé) | Claude Debussy, Itzhak Perlman, Vladimir Ashkenazy | E Minor | 2 | 9A | 91 BPM | ||
Violin Sonata No. 3 in C Minor, Op. 45: III. Allegro animato | Edvard Grieg, Frederic Chiu, Pierre Amoyal | D Minor | 2 | 7A | 148 BPM |